MARC details
| 000 -LEADER |
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| campo de control de longitud fija |
03037cam a2200277 i 4500 |
| 001 - NÚMERO DE CONTROL |
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| campo de control |
125227 |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
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| campo de control |
20230410124142.0 |
| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
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| campo de control de longitud fija |
120914s2013 nyua 000 0 eng |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
9780307273604 (hardback) |
| 041 ## - CÓDIGO DE IDIOMA |
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| Código de lengua del texto/banda sonora o título independiente |
eng |
| 050 14 - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO |
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| Número de clasificación |
NX 165 |
| Número de ítem |
C976d 2013 |
| 082 00 - NÚMERO DE LA CLASIFICACIÓN DECIMAL DEWEY |
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| Número de clasificación |
700.92 |
| 100 1# - ENTRADA PRINCIPAL--NOMBRE DE PERSONA |
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| Nombre de persona |
Currey, Mason. |
| 245 10 - MENCIÓN DEL TÍTULO |
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| Título |
Daily rituals : |
| Resto del título |
how artists work / |
| Mención de responsabilidad, etc. |
Mason Currey. |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
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| Lugar de publicación, distribución, etc. |
New York : |
| Nombre del editor, distribuidor, etc. |
Alfred A. Knopf, |
| Fecha de publicación, distribución, etc. |
2013. |
| 300 ## - DESCRIPCIÓN FÍSICA |
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| Extensión |
xviii, 278 p. : |
| Otras características físicas |
ill. ; |
| Dimensiones |
20 cm |
| 520 ## - RESUMEN, ETC. |
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| Sumario, etc. |
"How artists work, how they ritualize their days with the comforting (mundane) details of their lives: their daily routines, fears, dreams, naps, eating habits, and other prescribed, finely calibrated "subtle maneuvers" that help them use time, summon up willpower, exercise self-discipline and keep themselves afloat with optimism. Artists considering how they work--in letters, diaries, interviews, beguilingly compiled and edited by Mason Currey. Portraits that inspire, amuse, and delight and that reveal the profound fusion of discipline and dissipation through which the artistic temperament is allowed to evolve, recharge, emerge. From Beethoven and Kafka to George Sand, Picasso, Woody Allen and Agatha Christie; from Leo Tolstoy and Henry James to Charles Dickens and John Updike, here are writers, composers, painters, choreographers, playwrights, philosophers, caricaturists, comedians, poets, sculptors, and scientists on how they create (and avoid creating) their creations. A Sampling of Daily Rituals Charles Dickens Dickens's eldest son recalled that, "no city clerk was ever more methodical or orderly than he; no humdrum, monotonous, conventional task could ever have been discharged with more punctuality or with more business-like regularity than he gave to the work of his imagination and fancy." Dickens rose at 7:00, had breakfast at 8:00, and was in his study by 9:00. He stayed there until 2:00, taking a brief break for lunch with his family, during which he often seemed to be in a trance, eating mechanically and barely speaking a word before hurrying back to his desk. On an ordinary day he could complete about two thousand words, but during a flight of imagination he sometimes managed twice that amount. Maya Angelou I keep a hotel room in which I do my work--a tiny, mean room with just a bed and, sometimes, if I can find it, a face basin. I keep a dictionary, a Bible, a deck of cards, and a bottle of sherry in the room... "-- |
| Fuente proveedora |
Provided by publisher. |
| 520 ## - RESUMEN, ETC. |
|---|
| Sumario, etc. |
"How artists work, how they ritualize their days with the comforting (mundane) details of their lives: their daily routines, fears, dreams, naps, eating habits, and other prescribed, finely calibrated "subtle maneuvers""-- |
| Fuente proveedora |
Provided by publisher. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Artists |
| Subdivisión general |
Psychology. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Work ethic |
| Subdivisión de forma |
Miscellanea. |
| 650 #7 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
REFERENCE / Curiosities & Wonders. |
| Fuente del encabezamiento o término |
bisacsh |
| 650 #7 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
HISTORY / Essays. |
| Fuente del encabezamiento o término |
bisacsh |
| 650 #7 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
LITERARY COLLECTIONS / General. |
| Fuente del encabezamiento o término |
bisacsh |
| 700 1# - ENTRADA AGREGADA--NOMBRE PERSONAL |
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| Nombre de persona |
Currey, Mason. |
| 942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA) |
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| Fuente del sistema de clasificación o colocación |
Clasificación de Library of Congress |
| Tipo de ítem Koha |
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