Filling the Void : Emotion, Capitalism and Social Media / Marcus Gilroy-Ware.
Material type:
TextLanguage: Spanish Publisher: London : Repeater, [2017]Description: xiii, 224 p. ; 20 cmISBN: - 9781910924945 (paperback)
- 1910924946 (paperback)
- Social media -- Economic aspects
- Social media -- Political aspects
- Capitalism
- Civilization -- Political aspects
- Consumption (Economics)
- Press and politics
- Communication in politics
- Medios de comunicación social -- Aspectos económicos
- Medios de comunicación social -- Aspectos políticos
- Comunicación en política
- Consumo (Economía)
- Civilización -- Aspectos políticos
- 302.23
- HM 851 G489f 2017
| Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Barcode | |
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Libro
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Ciencias Sociales | Ciencias Sociales (3er. Piso) | HM 851 G489f 2017 (Browse shelf(Opens below)) | 1 | Available | 00000120344 |
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| HM851 .G35 2007 Tecnologia e democrazia : conoscenze tecniche e scientifiche come beni pubblici / | HM 851 G367d 2002 Digital culture | HM 851 G367d 2008 Digital culture / | HM 851 G489f 2017 Filling the Void : Emotion, Capitalism and Social Media / | HM 851 G624w 2006 Who controls the Internet? : illusions of a borderless world / | HM 851 G758d 2014 The digital mystique : how the culture of connectivity can empower your life-- online and off / | HM 851 G759s 2006 La societáa digitale / |
"A Repeater Books paperback original 2017"--Title page verso.
Includes bibliographical references (pages 193-208) and index.
Filling The Void is a book about how the cultures and psychology of social media use fit within a broader landscape of life under capitalism. It argues that social media use is often a psychological response to the need for pleasure and comfort that results from the stresses of life under postmodern capitalism, rather than being a driver of new behaviours as newer technologies are often said to be. Both the explosive growth of social media and the corresponding reconfiguration of the web from an information-based platform into an entertainment-based one are far more easily explained in terms of the subjective psychological experience of their users as capitalist subjects seeking 'depressive hedonia, ' the book argues. Filling the Void also interrogates the role of social media networks, designed for private commercial gain, as part of a de-facto public sphere. Both the decreasing subjective importance of factual media and the ways in which the content of the timeline are quietly manipulated--often using labour in the developing world and secret algorithms--have potentially serious implications for the capacity of social media users to query or challenge the seeming reality offered by the established hegemonic orde
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