02333nam a2200409Mi 4500 105838 105838 BJBSDDR 20230411085700.0 ta 071029s2007 xx 000 0 eng d 9780674026988 0674026985 9780674026681 0674026683 527811858 (OCoLC)ocn263666198 (OCoLC)263666198 HEBIS ger HEBIS spa GRAL TR 267 R695v 2007 778.53 Rodowick, David Norman. The virtual life of film / D. N. Rodowick Cambridge, Mass. [u.a.]: Harvard University Press, 2007. X, 193 S. I. The virtual life of film. Futureworld -- The incredible shrinking medium -- Back to the future -- II. What was cinema? Film begets video -- The death of cinema and the birth of film studies -- A medium in all things -- Automatisms and art -- Automatism and photography -- Succession and the film strip -- Ways of worldmaking -- A world past -- An ethics of time -- III. A new landscape (without image). An elegy for film -- The new "media" -- Paradoxes of perceptual realism -- Real is as real does -- Lost in translation: analogy and index revisited -- Simulation, or automatism as algorithm -- An image that is not "one" -- Two futures for electronic images, or what comes after photography? -- The digital event -- Transcoded ontologies, or "a guess at the riddle" -- Old and new, or the (virtual) renascence of cinema studies. As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century. Film swd Audiovisuelle Medien swd Kultur swd Digitaltechnik swd Photographie swd Cine 20 Medios audiovisuales 1476 lcc BK lmm 0 0 0 0 HU BJB BJB HU 2023-04-11 0 TR 267 R695v 2007 00000074533 2019-02-17 00:00:00 1 2019-02-17 BK