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  <titleInfo>
    <nonSort>The </nonSort>
    <title>technique of film editing</title>
  </titleInfo>
  <name type="personal">
    <namePart>Reisz, Karel.</namePart>
    <role>
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  <name type="personal">
    <namePart>Millar, Gavin.</namePart>
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  <typeOfResource>text</typeOfResource>
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    <place>
      <placeTerm type="text">Amsterdam</placeTerm>
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    <place>
      <placeTerm type="text">Boston</placeTerm>
    </place>
    <publisher>Elsevier/Focal</publisher>
    <dateIssued>c2010</dateIssued>
    <dateIssued encoding="marc">2010</dateIssued>
    <edition>2nd ed.</edition>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <language>
    <languageTerm authority="iso639-2b" type="code">spa</languageTerm>
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  <physicalDescription>
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    <extent>346 p. : ill. ; 24 cm.</extent>
  </physicalDescription>
  <abstract>I. The history of editing : 1. Editing and the silent film : The beginnings of film continuity ; Griffith: dramatic emphasis ; Pudovkin: Constructive editing ; Eisenstein: intellectual montage --
2. Editing and the sound film : General ; Who edits a film? ; The order of shots ; Selection of camera set-ups: emphasis ; Timing ; Presentation: smoothness ; The contribution of editing ; Special styles of editing --
II. The practice of editing : 3. Action sequences --
4. Dialogue sequences --
5. Comedy sequences --
6. Documentary reportage --
7. Imaginative documentary --
8. The documentary film of ideas --
9. The documentary and the use of sound --
10. Educational films --
11. Newsreels --
12. The compilation film --
III. Principles of editing : 13. Editing the picture : General ; Constructing a lucid continuity: smoothness ; Matching consecutive actions Extent of change in image size and angle ; Preserving a sense of direction ; Preserving a clear continuity ; Matching tone ; Making sound flow over a cut ; Timing ; Pace: rhythm ; Selection of shots --
14. Sound editing : General ; Analysis of a sound track ; Sound and the editing of the picture --
IV. The fifties and sixties : 15. Introduction --
16. Widescreen : General ; River of no return ; Andre Bazin ; Widescreen examples --
17. Cinema verite and the documentary film of ideas : Cinema verite ; Chronolique d'un ete ; Le joli mai ; Hotel des invalides --
18. Nouvelle vague : Camera style ; New wave --
19. Personal cinema in the sixties : Francois Truffaut ; Jean-Luc Godard ; Alain Resnais ; Michelangelo Antonioni --
20. Conclusion.</abstract>
  <note type="statement of responsibility">written and compiled by Karel Reisz and Gavin Millar with the guidance of the following committee appointed by the British Film Academy ... ; introduced by Thorold Dickinson.</note>
  <note>"Enhanced reissue of a classic text"--Cover.</note>
  <note>Includes bibliographical references (p. 327-328) and index.</note>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <topic>Editing</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Películas</topic>
  </subject>
  <classification authority="lcc">TR 899  R378t 2010</classification>
  <classification authority="ddc" edition="22">778.535</classification>
  <identifier type="isbn">9780240521855</identifier>
  <identifier type="isbn">0240521854</identifier>
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