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  <titleInfo>
    <title>Cinema</title>
    <subTitle>the beginnings and the future : essays marking the centenary of the first film show projected to a paying audience in Britain</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Williams, Christopher.</namePart>
    <namePart type="date">1939-</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">uik</placeTerm>
    </place>
    <place>
      <placeTerm type="text">London</placeTerm>
    </place>
    <publisher>University of Westminster Press</publisher>
    <dateIssued>1996</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">spa</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>263 s. : ill.</extent>
  </physicalDescription>
  <abstract>These essays mark the hundredth anniversary of the first projected film screening to a paying audience in Britain, by the Lumiere Cinematographe at the Polytechnic Institution in Regent Street, London, in February 1896. Contributors include David Robinson, John Barnes and Sylvia Harvey.</abstract>
  <tableOfContents>Part A1 Around a Premiere. 1. Natural magic and science fiction:instruction, amusement and the popular show, 1795-1895 --
2. The Magic Lantern's wild years --
3. Realising the vision:300 years of cinematography --
4. Premiere on Regent Sgtreet --
5. Frameup --
6. Filming scenes in the United kingdom for the Cinematographe Lumiere --
7. Marketing the Cinematographe in Britain --
8. Evidence of editing in the Lumiere films --
9. Back to Lumiere, or, The Dream of an Essence: some untimely considerations about a French Myth. Part 2. Early Cinema --
Then and Now. 10. the diffuse beam:cinema and change --
11. Sport and the first films --
12. The treats of trickery --
13. The role of the intertitle in film exhibition, 1904-1910 --
14. 'Nine Days' Wonder': early cinema and its sceptics --
15. The attractions of cinema, or, how I l learned to start worrying about loving early film --
16. Re-creating the first film shows. Part 3. Towards the Future. 17. Cut and shuffle --
18. Little big screen --
19. the social art cinema:a moment in the history of British Film and Television Culture --
20. Don't cry for me when I'm gone:motion pictures in the 1990s --
21. Read only memory:the re-creation of sensorial experience in 3D and CD-ROM --
22. Back to the future: the cinema's lessons of history --
23. What is cinema? the sensuous, the abstract and the political.</tableOfContents>
  <note type="statement of responsibility">edited by Christopher Williams.</note>
  <subject>
    <topic>Películas</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Cinematografía</topic>
  </subject>
  <classification authority="lcc">PN 1994  C574 1996</classification>
  <classification authority="ddc">791.43</classification>
  <identifier type="isbn">1859190073</identifier>
  <identifier type="isbn">9781859190074</identifier>
  <identifier type="isbn">185919012X</identifier>
  <identifier type="isbn">9781859190128</identifier>
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    <recordCreationDate encoding="marc">091125</recordCreationDate>
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    <languageOfCataloging>
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