01765cam a2200349M 4500003000800000005001700008007000300025008004100028020001500069020001800084029002000102029002000122035002400142035002100166040002200187041000800209049000900217050002600226100003000252245010400282260005800386300004900444505038500493520022600878650004201104650005401146650004801200942001201248946000801260999001901268952012801287BJBSDDR20260703135507.0ta091209s2006 cau 000 u eng d a1932907165 a97819329071620 aDKDLAb351384501 aDKDLAb35842104 a(OCoLC)ocn476066144 a(OCoLC)476066144 aDKDLAbdancDKDLA aeng aGRAL00aPN 1993.5bH178i 20061 aHall, Phil, d1964-9144110aIndependent film distribution :bhow to make a successful end run around the big guys /cPhil Hall. aStudio City, CA :bMichael Wiese Productions, c2006. axviii, 272 pages :billustrations ; c23 cm.0 aA brief and potentially disturbing overview on the state of independent film in America -- Before you even think of contacting a distributor -- It's not what you know, but -- The hard and bitter truth about festivals -- So you think you can do a better job than Miramax? -- Is "direct-to-video" synonymous with failure? -- Who's who, where they are, and what they are looking for. aNo matter how good your film is, if it doesn't get distribution, it will never been seen by anyone. Learn how to break out of the pack and champion your movie by getting it seen and heard by the biggest audience possible! 4aCine xHistoriazEstados Unidos 9909 4aIndustria cinematográficazEstados Unidos91507 4aCinexDistribución zEstados Unidos91369 2lcccBK alrm c111557d111557 00102lcc40708HUaBJBbBJBcHUd2023-04-11l0oPN 1993.5 H178i 2006p00000074489r2019-02-17 00:00:00t1w2019-02-17yBK