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  <titleInfo>
    <title>Play director's survival kit</title>
    <subTitle>a complete step-by-step guide to producing theater in any school or community setting</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Rodgers, James W.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Rodgers, Wanda C.</namePart>
  </name>
  <name type="personal">
    <namePart>Jones, Russell.</namePart>
    <role>
      <roleTerm type="text">Ill.</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xxu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">San Francisco (Ca.)</placeTerm>
    </place>
    <publisher>Jossey-Bass</publisher>
    <dateIssued>cop. 1995</dateIssued>
    <dateIssued encoding="marc">1995</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">spa</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>1 vol.(XVI-286 p.) : ill. ; 28 cm.</extent>
  </physicalDescription>
  <abstract>"For new and veteran play directors, here is a comprehensive guide to producing student theater packed with tested tips, timesavers and problem-solvers gleaned form the authors' experience in directing over 120 full-length plays or musical! Step by step, the Kit takes you through every phase of play selection and production in six sections. Each section is complete with ready-to-use checklists, diagrams, and samples. And, as an added enhancement, each carries a subtitle that's also a song title form a musical and includes interesting facts about its Broadway opening, original cast, and number of performances."--Publisher's description.</abstract>
  <tableOfContents>"Welcome to the theater" --
What you can expect from this resource --
"Magic to do" understanding your role as director --
"One brick at a time" how to get started --
"Open a new window" other options --
"Something sort of grandish" how to select the right play --
"A puzzlement" how to unravel a play's meaning --
"Putting it together" how to lay out a rehearsal schedule --
"Pick-a-little; talk-a-little" how to work with a set designer --
"Pretty little picture" what you need to know about stage properties --
"Let the sunshine in" what you need to know about stage lighting --
"The sound of music" what you need to know about sound and special effects --
"Put on your Sunday clothes" what you need to know about costuming --
"Put on a happy face" what you need to know about makeup --
"A little brains, a little talent" what your stage manager needs to know --
"I hope I get it" how to conduct auditions --
"Matchmaker, matchmaker" how to make intelligent casting decisions --
"It's a simple little system" how to get the most out of rehearsals --
"Every little movement" how to stage, or block, your play --
"Happy to make your acquaintance" how to help actors develop characters --
"You've got to have heart" how to work with actors --
"Agony" how to direct period plays --
"With a little bit of luck" how to direct your first musical --
"Sit down, you're rocking the boat" how to run a smooth production --
"Who will buy?" what you need to know about tickets --
"You've got to have a gimmick" what you need to know to sell your production --
"You've got to be carefully taught" what you need to know about the media --
"Look at me, I'm Sandra Dee" what you need to know about programs --
"Bea-u-ti-ful people of Denver" what you need to know about audiences --
"Life on the wicked stage" acting/directing terms --
"Drop that name" odd names for technical things --
"There's gotta be something better than this" theater spaces --
"Perpetual anticipation" stages of the production process --
"Try to remember" a list of theatrical forms --
"Let me entertain you" a list of contemporary plays for beginning directors --
"Losing my mind" more terms about parts of plays --
"The little things we do together" players in a commercial theater organization --
"Who can I turn to?" a selected reading list for beginning directors.</tableOfContents>
  <targetAudience authority="marctarget">general</targetAudience>
  <note type="statement of responsibility">James W. Rodgers, Wanda C. Rodgers; graphics and illustrations Russell Jones.</note>
  <note>Bibliogr. p.[283]-286.</note>
  <subject authority="ram">
    <topic>Thâeãatre d'amateurs</topic>
    <topic>Production et mise en scáene</topic>
  </subject>
  <subject>
    <topic>Teatro amateur</topic>
    <topic>Producción y dirección</topic>
  </subject>
  <classification authority="lcc">PN 3155  R691p 1995</classification>
  <classification authority="ddc">792.02220233</classification>
  <identifier type="isbn">0876285655</identifier>
  <identifier type="isbn">9780876285657</identifier>
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    <recordCreationDate encoding="marc">081021</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230411090040.0</recordChangeDate>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">fre</languageTerm>
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