03923cam a2200409 i 4500 112470 112470 BJBSDDR 20230411090111.0 ta 190430s2017 nyua 000 0 eng d 9780062699466 (paperback) 0062699466 (paperback) (OCoLC)ocn974672772 BTCTA spa BTCTA eng lccopycat PN 1997 S189f 2017 791.4372 23 Sammon, Paul author. 1949- Future Noir : the making of Blade runner / Paul M. Sammon. Revised and updated edition ; first Dey Street paperback. New York : Dey Street Books, an imprint of William Morrow, 2017. xxv, 594 pages : illustrations ; 24 cm text txt rdacontent unmediated n rdamedia volume nc rdacarrier "Originally published as Future Noir in 1996 by HarperPaperbacks."--Title page verso. "Including new interviews with Harrison Ford, Rutger Hauer, and Sean Young. Plus, an update on Blade Runner 2049"--Cover. Los Angeles 2017 (preface to the 2017 edition) -- One man's obsession (introduction to the 1996 edition) -- The film -- The book -- Development -- The director and the deal -- Script wars -- Designing Blade Runner -- The cast and crew -- The shoot -- "Blood Runner": friction on the set -- The special effects -- Postproduction and the music -- Sneaks and panic -- Voice-overs, San Diego, and a new happy ending -- The theatrical release -- The cult -- The workprint -- The director's cut -- The legend grow -- The final cut -- Blade Runner 2049 -- Check the gate -- Interviews -- Credits. "Ridley Scott's 1992 "Director's Cut" confirmed the international film cognoscenti's judgment: Blade Runner, based on Philip K. Dick's brilliant and troubling science fiction masterpiece Do Androids Dream of Electric Sheep?, is the most visually dense, thematically challenging, and influential science fiction film ever made. Future Noir offers a deeper understanding of this cult phenomenon that is storytelling and visual filmmaking at its best. n this intensive, intimate and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott purposefully used his creative genius to transform the work of science fiction's most uncompromising author into a critical sensation, a commercial success, and a cult classic that would reinvent the genre. Sammon reveals how the making of the original Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry at the time it was made. This revised and expanded edition of Future Noir includes : An overview of Blade Runner's impact on moviemaking and its acknowledged significance in popular culture since the book's original publication An exploration of the history of Blade Runner: The Final Cut and its theatrical release in 2007 An up-close look at its long-awaited sequel Blade Runner 2049A 2007 interview with Harrison Ford now available to American readersExclusive interviews with Rutger Hauer and Sean Young. A fascinating look at the ever-shifting interface between commerce and art, illustrated with production photos and stills, Future Noir provides an eye-opening and enduring look at modern moviemaking, the business of Hollywood, and one of the greatest films of all time."--Back cover. Blade runner (Motion picture) Blade runner (Motion picture) fast (OCoLC)fst01366328 817 Películas 7 cbc copycat 2 ncip 20 y-gencatlg lcc BK LMF 0 0 0 0 HU BJB BJB HU 2019-05-03 0 PN 1997 S189f 2017 00000121047 2019-05-03 00:00:00 1 2019-05-03 BK