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  <titleInfo>
    <title>For all the world to see</title>
    <subTitle>visual culture and the struggle for civil rights</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Berger, Maurice</namePart>
    <namePart type="date">1956</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="corporate">
    <namePart>International Center of Photography</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">ctu</placeTerm>
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    <place>
      <placeTerm type="text">New Haven</placeTerm>
    </place>
    <publisher>Yale University Press</publisher>
    <dateIssued>c2010</dateIssued>
    <dateIssued encoding="marc">2010</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">spa</languageTerm>
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  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xv, 207 p. : ill. (some col.) ; 26 cm.</extent>
  </physicalDescription>
  <abstract>In 1955, shortly after Emmett Till was murdered by white supremacists in Mississippi, his grieving mother distributed to the press a gruesome photograph of his mutilated corpse. Asked why she would do this, she explained that by witnessing with their own eyes the brutality of segregation and racism, Americans would be more likely to support the cause of racial justice. "Let the world see what I've seen," was her reply. The publication of the photograph inspired a generation of activists to join the civil rights movement.  Despite this extraordinary episode, the story of visual culture's role in the modern civil rights movement is rarely included in its history. This is the first comprehensive examination of the ways images mattered in the struggle, and it investigates a broad range of media including photography, television, film, magazines, newspapers, and advertising.  These images were ever present and diverse: the startling footage of southern white aggression and black suffering that appeared night after night on television news programs; the photographs of black achievers and martyrs in Negro periodicals; the humble snapshot, no less powerful in its ability to edify and motivate. In each case, the war against racism was waged through pictures, millions of points of light, millions of potent weapons that forever changed a nation. This book allows us to see and understand the crucial role that visual culture played in forever changing a nation.</abstract>
  <tableOfContents>Foreword / by Thulani Davis -- Introduction : weapons of choice -- It keeps on rollin' along : the status quo -- The new "new Negro" : the culture of positive images -- Plates -- "Let the world see what I've seen" : evidence and persuasion -- Guess who's coming to dinner : broadcasting race -- Epilogue : in our lives we are whole : the pictures of everyday life.</tableOfContents>
  <note type="statement of responsibility">Maurice Berger ; foreword by Thulani Davis.</note>
  <note>"In collaboration with: Center for Art, Design and Visual Culture, University of Maryland Baltimore County, National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C."</note>
  <note>Related exhibition held at the International Center of Photography, New York, May 21-Sept. 12, 2010.</note>
  <note>Includes bibliographical references and index.</note>
  <subject>
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  <subject authority="lcsh">
    <topic>African Americans in mass media</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Civil rights movements</topic>
    <geographic>United States</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Visual communication</topic>
    <topic>Social aspects</topic>
    <geographic>United States</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Mass media</topic>
    <topic>Social aspects</topic>
    <geographic>United States</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject>
    <topic>Movimientos de derechos civiles</topic>
    <topic>Historia</topic>
    <geographic>Estados Unidos</geographic>
    <temporal>Siglo XX</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Comunicación visual</topic>
    <topic>Aspectos sociales</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Medios de comunicación</topic>
    <topic>Aspectos sociales</topic>
    <geographic>Estados Unidos</geographic>
    <temporal>Siglo XX</temporal>
  </subject>
  <classification authority="lcc">P 94.5  B496f 2010</classification>
  <classification authority="ddc" edition="22">302.23089/96073</classification>
  <identifier type="isbn">9780300121315 (hbk.)</identifier>
  <identifier type="isbn">0300121318 (hbk.)</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg">BTCTA</recordContentSource>
    <recordCreationDate encoding="marc">190527</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230411090117.0</recordChangeDate>
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      <languageTerm authority="iso639-2b" type="code">spa</languageTerm>
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