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  <titleInfo>
    <title>Music &amp; copyright in America</title>
    <subTitle>toward the celestial jukebox</subTitle>
  </titleInfo>
  <titleInfo type="alternative">
    <title>Music and copyright in America</title>
  </titleInfo>
  <name type="personal">
    <namePart>Parks, Kevin</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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  </name>
  <name type="corporate">
    <namePart>American Bar Association</namePart>
    <namePart>Section of Intellectual Property Law.</namePart>
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  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
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    <place>
      <placeTerm type="text">Chicago.  Ill</placeTerm>
    </place>
    <publisher>American Bar Association, Section of Intellectual Property Law</publisher>
    <dateIssued>2012</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xiii, 239 pages : ill., ports ; 26 cm.</extent>
  </physicalDescription>
  <abstract>Beginning with history of music copyright from its origins to the present, Music &amp; Copyright in America explores the music industry through a legal lens. This in-depth, intriguing, and beautifully written book provides a practical overview of music rights and licensing as well as insights into its evolving future. Timely and absorbing, author Kevin Parks provides invaluable perspective, context, and clarity amidst the chaos and challenges of today's music business while offering considered insights into how the business may evolve in the future. In this book, he explores the history of the music business in the United States, with a focus on earlier watershed moments when technology threatened existing industry practices yet created larger, long-term opportunities. The author explains the fundamentals of music copyright for both songs and recordings and describes how these intellectual property assets are translated into the different licensing schemes that form the engine and lifeblood of the music business. This book untangles and clarifies the various judicial, legislative, and cultural developments that are dramatically changing both the music industry and the legal landscape.</abstract>
  <tableOfContents>Music as American commerce -- The end of the world as we know it, part 1 : rolls, cylinders, and discs -- Public performance for profit : from Lüchow's to the La Salle Hotel --
Recordings and recording artists -- Revolutions in the air --
The end of the world, part 2 -- Into the cloud.</tableOfContents>
  <note type="statement of responsibility">Kevin Parks.</note>
  <note>Includes bibliographical references and index.</note>
  <subject>
    <geographicCode authority="marcgac">n-us---</geographicCode>
  </subject>
  <subject authority="lcsh">
    <topic>Copyright</topic>
    <topic>Music</topic>
    <geographic>United States</geographic>
  </subject>
  <subject>
    <topic>Derechos de autor</topic>
    <topic>Música</topic>
    <geographic>Estados Unidos</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Copyright</topic>
    <topic>Music</topic>
    <geographic>United States</geographic>
    <topic>History</topic>
  </subject>
  <classification authority="lcc">KF 3035 P252m 2012</classification>
  <classification authority="ddc" edition="23">346.7304/82</classification>
  <identifier type="isbn">9781614386711 (pbk.)</identifier>
  <identifier type="isbn">1614386714 (pbk.)</identifier>
  <identifier type="isbn">9781614386728</identifier>
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    <recordCreationDate encoding="marc">200312</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230411090638.0</recordChangeDate>
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