02808 a2200253 4500 114577 114577 BJBSDDR 20230411090658.0 ta 280820s2018 enk||||| |||| 00| 0 eng d 9781350055698 1350055697 spa BJBSDDR eng PN 1995.9 R499c 2018 Rich, Paul B., 1950- Cinema and unconventional warfare in the twentieth century : insurgency, terrorism and special operations / Paul B. Rich. London, UK : Bloomsbury Academic, 2018. x, 264 pages ; 25 cm. Cover; Contents; List of Figures; Preface; Introduction; 1 Cinema's Encounter with Colonial Insurgencies; 2 Special Operations on Screen; 3 Hollywood, Terrorism and the Myth of Special Forces; 4 Italian Neorealism and Beyond; 5 The Mercenary Subgenre and Counter-Insurgency; 6 France's Bitter Retreat from Empire; 7 Israel and Reframing Siege Warfare into Counter-Terrorism; Epilogue; Notes; Select Filmography; Bibliography; Index "Cinematic representations of unconventional warfare have received sporadic attention to date. However, this pattern has now begun to change with the rise of insurgency and counter-insurgency in Iraq and Afghanistan, and the growing importance of jihadist terrorism in the wake of 9/11. This ground-breaking study provides a much-needed examination of global unconventional warfare in 20th-century filmmaking, with case studies from the United States, Britain, Ireland, France, Italy and Israel. Paul B. Rich examines Hollywood's treatment of counter-terrorism and counter-insurgency in the United States; British post-colonial insurgencies in Malaya and Kenya and British special operations in the Second World War; the Irish conflict before and during the Troubles; French filmmaking and the reluctance to deal with the bitter war in Algeria in the 1950s; Italian neorealism and its impact on films dealing with urban insurgency by Roberto Rossellini, Nanni Loy and Gillo Pontecorvo, and Israel and the upsurge of Palestinian terrorism. Whilst only a small number of films on these conflicts have been able to rise above stereotyping insurgents and terrorists - in some cases due to a pattern of screen orientalism - Cinema and Unconventional Warfare in the Twentieth Century stresses the positive political gains to be derived from humanizing terrorists and terrorists movements, especially in the context of modern jihadist terrorism. This is essential reading for academics, postgraduates and advanced undergraduates interested in 20th-century military history, politics and international relations, and film studies."--Bloomsbury Publishing. 13062 Terrorismo en el cine lcc BK dpf 0 0 0 0 HU BJB BJB HU 2020-08-28 0 PN 1995.9 R499c 2018 00000144161 2020-08-28 00:00:00 1 2020-08-28 BK