02063cam a2200457 i 4500999001900000001000900019003000800028005001700036006001900053007000300072008004100075010001700116020003000133020002700163035002400190040006200214041000800276042001400284050002600298082001500324245010100339260003100440300005400471336002600525337002800551338002700579440003600606504005700642520037500699650003801074650004601112655006201158700004101220700004701261700003401308700003401342830004501376906004501421942001201466952012701478 c116112d11611220751474BJBSDDR20230411090751.0a|||||r|||| 00| 0 ta181121s2017 gw a b 000 0 eng d a 2018297406 a9783836561693 (hardcover) a3836561697 (hardcover) a(OCoLC)ocn967584769 aYDXbengcYDXerdadBDXdZQPdOCLCFdTCJdNZ1dOCLCOdDLC aeng alccopycat14aPN 1995.9 bF487 201700a791.43/65500aFilm noir /ceds. Paul Duncan & Jurgen Muller ; with texts by Alain Silver, James Ursini, et al. aKöln :bTaschen,c[2017] a639 pages :billustrations (some color) ;c21 cm. atextbtxt2rdacontent aunmediatedbn2rdamedia avolumebnc2rdacarrier 0921103aBibliotheca universalis aIncludes bibliographical references (pages 636-637). a"Whether it's Double Indemnity, Kiss Me Deadly, or The Big Sleep, roam a screen world of dark and brooding elegance with this essential handbook to Film Noir. From private eyes and perfect crimes to corrupt cops and doomed affairs, editors Paul Duncan and Jürgen Müller examine noir's key themes and their most representative movies from 1940 to 1960."--Jacket flap. 0aFilm noirxHistory and criticism. 4aCine negro 915177xHistoria y crítica 7aCriticism, interpretation, etc.2fast0(OCoLC)fst014116351 aDuncan, Paul, d1964-eeditor9171851 aMüller, Jürgen, d1961-eeditor943641 aSilver, Alain, d1947-9214191 aUrsini, James, 916504d1947- 0aBibliotheca universalis (Taschen (Firm)) a7bcbcccopycatd2encipf20gy-gencatlg 2lcccBK 00102lcc40708HUaBJBbBJBcHUd2022-03-31l0oPN 1995.9 F487 2017p00000164772r2022-03-31 00:00:00t1w2022-03-31yBK