<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <nonSort>The </nonSort>
    <title>world viewed</title>
    <subTitle>reflections on the ontology of film</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Cavell, Stanley</namePart>
    <namePart type="date">1926-2018</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">mau</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Cambridge</placeTerm>
    </place>
    <publisher>Harvard University Press</publisher>
    <dateIssued>1979</dateIssued>
    <edition>Enlarged edition</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xxv, 253 p. ; 21 cm.</extent>
  </physicalDescription>
  <tableOfContents>An autobiography of companions
Sights and sounds
Photograph and screen
Audience, actor, and star
Types; cycles as genres
Ideals of origin
Baudelaire and the myths of film
The military man and the woman
The dandy
End of the myths
The medium and the media of film
The world as mortal: absolute age and youth
The world as a whole: color
Automatism
Excursus: some modernist painting
Exhibition and self-reference
The camera's implication
Assertion in techniques
The acknowledgement of silence</tableOfContents>
  <note type="statement of responsibility">Stanley Cavell.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <topic>Philosophy</topic>
  </subject>
  <subject>
    <topic>Cine</topic>
    <topic>Filosofía</topic>
  </subject>
  <subject>
    <topic>Cine</topic>
    <topic>Estética</topic>
  </subject>
  <classification authority="lcc">PN 1995 C378w 1979</classification>
  <classification authority="ddc">791.43/01</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Harvard film studies</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">067496196X (pbk.)</identifier>
  <identifier type="isbn">9780674961968 (pbk.)</identifier>
  <identifier type="lccn">79016670</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg">DLC</recordContentSource>
    <recordCreationDate encoding="marc">790619</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230411090809.0</recordChangeDate>
    <recordIdentifier source="BJBSDDR">3699305</recordIdentifier>
  </recordInfo>
</mods>
