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  <titleInfo>
    <title>Film</title>
    <subTitle>a world history</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Duijsens, Florian</namePart>
  </name>
  <name type="personal">
    <namePart> Thomas, Gilbert</namePart>
  </name>
  <name type="personal">
    <namePart>Smith, Adele</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Abrams</publisher>
    <dateIssued>c2008</dateIssued>
    <dateIssued encoding="marc">2008</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>480 p. : ill. (some col.) ; 17 cm.</extent>
  </physicalDescription>
  <abstract>"Best known for his elaborately choreographed, large-scale photographs, Gregory Crewdson is one of the most exciting and important artists working today. The images that comprise Crewdson's new series, "Beneath the Roses," take place in the homes, streets, and forests of unnamed small towns. The photographs portray emotionally charged moments of seemingly ordinary individuals caught in ambiguous and often disquieting circumstances. Both epic in scale and intimate in scope, these visually breathtaking photographs blur the distinctions between cinema and photography, reality and fantasy, what has happened and what is to come." "Beneath the Roses features an essay by acclaimed fiction writer Russell Banks, as well as many never-before-seen photographs, including production stills, lighting charts, sketches, and architectural plans, that serve as a window into Crewdson's working process. The book is published to coincide with exhibitions in New York, London, and Los Angeles."--book jacket</abstract>
  <tableOfContents>Origins of film -- Silent to sound -- Cinema during the war -- Postwar cinema and the 1950s -- New impulses -- Politics and blockbusters -- A world of cinema -- Index.</tableOfContents>
  <note type="statement of responsibility">Daniel Borden ... [et al.].</note>
  <note>Includes index.</note>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <topic>History</topic>
  </subject>
  <subject>
    <topic>Películas cinematográficas</topic>
    <topic>Historia</topic>
  </subject>
  <subject>
    <topic>Industria cinematográfica</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion picture producers and directors</topic>
    <topic>History</topic>
  </subject>
  <subject>
    <topic>Directores y productores de cine</topic>
  </subject>
  <subject>
    <topic>Historia del cine</topic>
  </subject>
  <classification authority="lcc">PN 1993.5 F487 2008</classification>
  <classification authority="ddc" edition="22">791.4309</classification>
  <identifier type="isbn">9780810971400</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg">DLC</recordContentSource>
    <recordCreationDate encoding="marc">080701</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230411090819.0</recordChangeDate>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">spa</languageTerm>
    </languageOfCataloging>
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