02069cam a22003133 4500 118780 118780 FRBNF470615210000000 BJBSDDR 20230805181417.0 a|||||r|||| 00| 0 ta 230223s2022 enk||||| |||| 00| 0 eng d 9781789145526 178914552X OCoLC1273676653 BJBSDDR eng eng PN 1995.9 B291m 2022 Bartlett, Robert John, 29921 1950- The middle ages and the movies : eight key films / Robert Bartlett London : Reaktion Books, 2022 288 pages : illustrations ; 23 cm. Description based upon print version of record Includes bibliographical references and index. Preface: medieval history on the screen Sex and nationalism: Bravehart (1995) From page to screen: The name of the rose (1986) Now for something completely different: Monty Python and the Holy Grail (1975) The artist and the state: Andrei Rublev (1966) Playing chess with death: The seventh seal (1957) Heroic leadership: Alexander Nevsky (1938) A silent epic: Die Nibelungen I: Siegfried (1925) Wrapping up. In The Middle Ages and the Movies eminent historian Robert Bartlett takes a fresh, cogent look at how our view of medieval history has been shaped by eight significant films of the twentieth century. The book ranges from the concoction of sex and nationalism in Mel Gibson's Braveheart, to Fritz Lang's silent masterpiece Siegfried, the art-house classic The Seventh Seal to Tarkovsky's Andrei Rublev and the epic historical drama El Cid. The historical accuracy of these films is examined, as well as other salient aspects - how was Umberto Eco's Name of the Rose translated from page to screen? Why is Monty Python and the Holy Grail funny? And how was Eisenstein's Alexander Nevsky shaped by the Stalinist tyranny under which it was filmed? 20 Cine 29922 Edad media en el cine lcc BK 0 0 lcc 0 0 HU BJB BJB HU 2023-02-23 0 PN 1995.9 B291m 2022 00000168357 2023-02-23 00:00:00 1 2023-02-23 BK