02509cam a2200337 a 4500 119075 119075 BJBSDDR 20230805181426.0 ta 970212s1997 nju b 001 0 eng 0813523028 (pbk. : alk. paper) 9780813523026 (pbk. : alk. paper) DLC DLC eng eng PN 1995 D313 1997 791.43/01 Defining cinema / edited and with an introduction by Peter Lehman. New Brunswick, N.J. : Rutgers University Press, 1997. viii, 216 pages ; 24 cm. Rutgers depth of field series Includes bibliographical references (p. 205-206) and index. Introduction : what is film theory? / Peter Lehman The montage of film attractions / Sergei M. Eisenstein Eisenstein and Soviet cinema / Vance Kepley Jr The evolution of the language of cinema / André Bazin André Bazin's "Evolution" / Dudley Andrew Basic concepts / Siegfried Kracauer Kracauer's theory of film / Noël Carroll "Spatial and temporal articulations" and "Editing as a plastic art" Noël Burch To zero and beyond : Noël Burch's Theory of film practice / Edward Branigan "Identification, mirror" and "The passion for perceiving" / Christian Metz Christian Metz / Robert T. Eberwein Defining Cinema is the first book to bring together leading theorists and scholars to discuss the importance of film theory to cinema studies. Peter Lehman introduces the volume by explaining what constitutes film theory and outlining the major positions within the field by placing these five theorists and their work within a historical perspective. Andre Bazin and Siegfried Kracauer represent realist film theories, and Sergei Eisenstein represents a formalist position. Noel Burch and Christian Metz are contemporary theorists who have moved beyond the classical realist-formalist opposition. Burch's theory encompasses films and styles praised by both Bazin and Eisenstein, and Metz helped bring semiotics and psychoanalytic theory to prominence in the field. Motion pictures Philosophy. Cine Filosofía 1867 Filosofía del cine 14900 Lehman, Peter. 29015 1944- 7 cbc orignew 1 ocip 19 y-gencatlg lcc BK lmm 0 0 0 0 HU BJB BJB HU 2023-04-17 0 PN 1995 D313 1997 00000138317 2023-04-17 00:00:00 1 2023-04-17 BK