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  <titleInfo>
    <title>French cinema in the 1990s</title>
    <subTitle>continuity and difference : essays</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Powrie, Phil  (Philip Peter)</namePart>
    <namePart type="date">1951-</namePart>
    <role>
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    <place>
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    <place>
      <placeTerm type="text">New York</placeTerm>
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    <publisher>Oxford University Press</publisher>
    <dateIssued>1999</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>xv, 286 pages : illustrations ; 23 cm.</extent>
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  <abstract>The first collection of essays by UK and USA academics working in French cinema studies on French cinema in the 1990s. There are twenty-one chapters, fifteen of which focus on one film each. Issues covered are genre (the changing heritage film), gender and ethnic issues, community, and national cinema.</abstract>
  <tableOfContents>Heritage, history, and 'new realism' : French cinema in the 1990s / Phil Powrie
The heritage film and cultural politics : Germinal (Berri, 1993) / Russell Cousins
Identity and alterity in Indochine (Wargnier, 1992) / Brigitte Rollet
Film at the crossroads : Les roseaux sauvages (Téchiné, 1994) / Wendy Everett
'Dusting off' Dehousse : un héros très discret (Audiard, 1996) / Kathryn M. Lauten
Remaking the remake : Irma Vep (Assayas, 1996) / Paul Sutton
Dissident voices before the Revolution : Ridicule (Leconte, 1996) / Mireille Rosello
Revisiting the myth of the French nation : Les visiteurs (Poiré, 1993) / Martine Danan
Right-wing anarchism and Le bonheur est dan le pré (Chatiliez, 1995) / Keith Reader
Gender and sexuality in Les nuits fauves (Collard, 1992) / Carrie Tarr
Unruly woman? Josiane Balasko, French comedy, and Gazon maudit (Balasko, 1995) / Brigitte Rollet
Sleepless in Paris : J'ai pas sommeil (Denis, 1993) / Cynthia Marker
Comedy and interracial relationships : Romuald et Juliette (Serreau, 1987) and Métisse (Kassovitz, 1993) / Dina Sherzer
Which mapping of the city? La haine (Kassovitz, 1995) and the cinéma de banlieue / Myrto Konstantarakos
Ethnicity and identity in the cinéma de banlieue / Carrie Tarr
Zapping without mercy : Merci la vie (Blier, 1991) / Russell King
Representation, masculinity, nation : the crises of Les amants du Pont-Neuf (Carax, 1991) / Graeme Hayes
Cats in the 'hood : the unspeakable truth about Chacun cherche son chat (Klapisch, 1996) / Elizabeth Ezra
Remaking paternity : Mon père ce héros (Lauzier, 1991) and My father the hero (Miner, 1994) / Lucy Mazdon
Nationality, authenticity, reflexivity : Kieslowski's Trois couleurs : Bleu (1993), Blanc (1993), and Rouge (1994) / Julia Dobson
Besson's 'Mission elastoplast' : Le cinquième élément (1997) / Susan Hayward</tableOfContents>
  <note type="statement of responsibility">edited by Phil Powrie.</note>
  <note>Includes bibliographical references (p. [264]-277) and index.</note>
  <subject>
    <geographicCode authority="marcgac">e-fr---</geographicCode>
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  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>France</geographic>
    <topic>History</topic>
  </subject>
  <subject>
    <topic>Cine francés</topic>
  </subject>
  <subject>
    <topic>Cine francés</topic>
    <topic>Historia</topic>
  </subject>
  <subject>
    <topic>Cine</topic>
    <topic>Historia</topic>
    <geographic>Francia</geographic>
  </subject>
  <classification authority="lcc">PN 1993.5 F873 1999</classification>
  <classification authority="ddc">791.43/0944/09049</classification>
  <identifier type="isbn">0198159587</identifier>
  <identifier type="isbn">0198159579 (pbk.)</identifier>
  <identifier type="uri">http://www.loc.gov/catdir/enhancements/fy0608/00269745-d.html</identifier>
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