01866cam a2200337 i 450000100090000000300080000900500170001700700030003400800410003701000170007802000380009504000360013304100080016904200080017705000240018508200140020910000320022324500440025526400470029930000230034633600210036933700250039033800230041550400670043850501080050552008400061365000240145365000240147765000130150165000140151420537236BJBSDDR20240207105402.0ta050224s2018    nyu      b    001 0 eng c  a  2018012203  a9780393355208 (paperbaks)q(pbk.)  aBJBSDDRbspacBJBSDDRerdadDLC  aeng  apcc14aPN 1059bL852h 201800a808.12231 aLongenbach, James, d1959- 10aHow poems get made /cJames Longenbach. 1aNew York :bW.W. Norton & Company,c[2018]  a176 pages ;c21 cm  atext2rdacontent  aunmediated2rdamedia  avolume2rdacarrier  aIncludes bibliographical references (pages 161-167) and index.  aDiction--
Syntax--
Voice--
Figure--
Rhythm--
Echo--
Image--
Repetition--
Song--
Tone--
Prose--
Poetry--  a"Each of the twelve chapters of How Poems Get Made examines a specific aspect of the poetic medium: diction, syntax, rhythm, echo, figure, repetition, and more. Acclaimed poet and critic James Longenbach shows how a poet may manipulate these most basic elements of diction and syntax to create voice, image, tone, or song, and bring a poem to life. Why does a great lyric poem ask to be reread, even after we know it by heart? In How Poems Get Made, Longenbach answers this question by discussing a wide spectrum of exemplary poems, from Shakespeare through Dickinson, Stevens, and Moore, to a variety of poets making poems today. How Poems Get Made is the perfect guide both in the classroom and beyond. Longenbach's clear, wise lessons are essential to anyone interested in composing or appreciating a poem"--cProvided by publisher. 0aPoetryxAuthorship. 4aPoesíaxAutoría 0aPoetics. 4aPoética