02481cam a2200385 i 450000100090000000300080000900500170001700700030003400800410003701000170007802000300009502000270012504000360015204100080018804200080019605000230020408200100022710000250023724500590026224600450032125000190036626400460038530000230043133600260045433700280048033800270050850400670053550503560060252009960095865000240195465000260197865000260200465000370203065000280206720556319BJBSDDR20240717154114.0ta180527s2018    nyu      b    001 0 eng c  a  2017052637  a9780393253924 (paperback)  a0393253929 (paperback)  aLBSOR/DLCbengcLBSORerdadDLC  aeng  apcc14aPN 1059bO75p 201800a808.11 aOrr, Gregory,d1947-12aA primer for poets & readers of poetry /cGregory Orr.3 aA primer for poets and readers of poetry  aFirst edition. 1aNew York :bW.W. Norton & Company,c2018.  a325 pages ;c21 cm  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  aIncludes bibliographical references (pages 321-325) and index.0 aPoetry is both simple and complex -- Letting in the disorder -- The lyric invitation -- Imagination at the threshold -- Lyric and narrative: two fundamental ordering impulses -- Some basic issues -- Words coming alive in poems -- Naming -- Singing -- Saying -- Imagining -- Ecstasy and engagement -- A second self in a second world -- Craft and quest.  a"A Primer for Poets and Readers of Poetry guides young poets toward a deeper understanding of how poetry can function in their lives, while also introducing the art in an exciting new way. Structuring the presentation from life toward art, Orr urges poets to 'turn worlds into words' and then give those words a dramatic structure. Using such poems as Theodore Roethke's 'My Papa's Waltz' and Robert Hayden's 'Those Winter Sundays,' the Primer encourages young writers to approach their 'thresholds'--those places where disorder meets order, where shaping imagination can turn language into urgent and persuasive poems. It provides poets with a dozen focused writing exercises and explains essential topics such as the personal and cultural threshold, the four forces that animate poetic language (naming, singing, saying, imagining), tactics of revision, ecstasy and engagement as motives for poetry, and how to locate and learn from our personal poetic forebears"--cProvided by publisher. 0aPoetryxAuthorship. 4aPoesía xAutoría  0aPoetryxAppreciation. 4aPoesía xHistoria y crítica  4aApreciación literaria