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  <titleInfo>
    <nonSort>The </nonSort>
    <title>black guy dies first</title>
    <subTitle>black horror cinema from fodder to Oscar</subTitle>
  </titleInfo>
  <titleInfo type="alternative">
    <title>Black guy dies 1st</title>
  </titleInfo>
  <name type="personal">
    <namePart>Means Coleman, Robin R.</namePart>
    <namePart type="date">1969-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Harris, Mark H.</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <genre authority="lcgft">Film criticism.</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <dateIssued encoding="marc">2023</dateIssued>
    <edition>First Saga Press trade paperback edition.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>320 pages : illustrations (chiefly color) ; 22 cm.</extent>
  </physicalDescription>
  <abstract>"The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.'s assassination in April. This timely book is a must-read for cinema and horror fans alike"--</abstract>
  <tableOfContents>The Black guy dies first -- The 'other' through the eyes of others: Black horror stereotypes -- 'Woke horror': Social consciousness in Black horror -- Gods and monsters: Black religion in horror -- Scary funny: Black comedy in horror -- Representation matters.</tableOfContents>
  <note type="statement of responsibility">Robin R. Means Coleman, PhD, and Mark H. Harris.</note>
  <note>Includes bibliographical references (pages 309-315).</note>
  <subject>
    <geographicCode authority="marcgac">n-us---</geographicCode>
  </subject>
  <subject authority="lcsh">
    <topic>Horror films</topic>
    <geographic>United States</geographic>
    <topic>History and criticism</topic>
  </subject>
  <subject>
    <topic>Cine de terror</topic>
    <topic>Historia y crítica</topic>
    <geographic>Estados Unidos</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Black people in motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>African Americans in motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Race in motion pictures</topic>
  </subject>
  <subject>
    <topic>Racismo en el cine</topic>
  </subject>
  <classification authority="lcc">PN 1995.9 M483b 2023</classification>
  <classification authority="ddc">791.43/61640896073</classification>
  <identifier type="isbn">9781982186531 </identifier>
  <identifier type="isbn">1982186534</identifier>
  <identifier type="lccn">2023288031</identifier>
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    <recordCreationDate encoding="marc">230412</recordCreationDate>
    <recordChangeDate encoding="iso8601">20240724152759.0</recordChangeDate>
    <recordIdentifier source="BJBSDDR">23061137</recordIdentifier>
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