The Nowell-Smith, Geoffrey 1939- editor Dupin, Christophe editor text enk 2014 Paperback edition. monographic eng

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xvi, 331 pages : illustrations ; 24 cm From a modest start in the 1930s, the British Film Institute (BFI) grew rapidly after the war to encompass every kind of film-related activity. This book examines the interplay of external and internal forces that led to the BFI's unique development as a multi-faceted public body. Editors' Introduction1. Foundation and early years – Geoffrey Nowell-Smith2. Post-War Renaissance – Geoffrey Nowell-Smith3. 'Je t'aime – moi non plus': Ernest Lindgren and Henri Langlois – Christophe Dupin4. The BFI and Film Exhibition, 1933–70 – Christophe Dupin5. The Vanguard of film Appreciation: the Film Society movement and film Culture, 1945–65 – Richard MacDonald6. From the 1964 Labour government to the 1970 BFI Crisis – Geoffrey Nowell-Smith7. The view from the regions – Melanie Selfe8. Paddy Whannel and BFI Education – Terry Bolas9. The 1970s – Geoffrey Nowell-Smith10. The Smith years – Geoffrey Nowell-Smith11. The BFI and film production: half a century of innovative independent film-making – Christophe Dupin12. The BFI and television – Richard Paterson13. The Sight and Sound story – Geoffrey Nowell-Smith14. A public showcase for the BFI: the Museum of the Moving Image – Lorraine Blakemore15. Towards the Millennium – Geoffrey Nowell-Smith16. EpilogueBibliographyIndex. edited by Geoffrey Nowell-Smith and Christophe Dupin Originally published: 2012. Includes bibliographical references (pages 310-318) and index. e-uk--- British Film Institute History British Film Institute Historia Motion picture industry and state History 20th century Motion picture industry History 20th century Industria cinematográfica Historia Siglo XX PN 1993.5 B862 2014 9780719095740 (pbk.) 0719095743 (pbk.) 2014434658 DLC 150203 20240812145747.0 18476685 eng