<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="http://www.loc.gov/MARC21/slim">

  <leader>04682    a2200325   4500</leader>
  <controlfield tag="003">BJBSDDR</controlfield>
  <controlfield tag="005">20240812131206.0</controlfield>
  <controlfield tag="007">ta</controlfield>
  <controlfield tag="008">080824t2021    nyu           00| 0 eng d</controlfield>
  <datafield tag="020" ind1=" " ind2=" ">
    <subfield code="a">9781844574650 </subfield>
  </datafield>
  <datafield tag="020" ind1=" " ind2=" ">
    <subfield code="a">1844574652</subfield>
  </datafield>
  <datafield tag="040" ind1=" " ind2=" ">
    <subfield code="b">spa </subfield>
    <subfield code="c">BJBSDDR</subfield>
  </datafield>
  <datafield tag="041" ind1=" " ind2=" ">
    <subfield code="a">eng </subfield>
  </datafield>
  <datafield tag="050" ind1="1" ind2="4">
    <subfield code="a">PN 1993.5</subfield>
    <subfield code="b">F873 2021</subfield>
  </datafield>
  <datafield tag="245" ind1="0" ind2="4">
    <subfield code="a">The French cinema book /</subfield>
    <subfield code="c">Edited by Michael Temple and Michael Witt.</subfield>
  </datafield>
  <datafield tag="250" ind1=" " ind2=" ">
    <subfield code="a">Second edition</subfield>
  </datafield>
  <datafield tag="260" ind1=" " ind2=" ">
    <subfield code="a">London : </subfield>
    <subfield code="b">Bloomsbury, </subfield>
    <subfield code="c">2021</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">xx, 370 pages : </subfield>
    <subfield code="b">illustrations (black and white) ; </subfield>
    <subfield code="c">26 cm.</subfield>
  </datafield>
  <datafield tag="500" ind1=" " ind2=" ">
    <subfield code="a">First edition: 2004
</subfield>
  </datafield>
  <datafield tag="504" ind1=" " ind2=" ">
    <subfield code="a">Includes bibliographical references and index.</subfield>
  </datafield>
  <datafield tag="505" ind1="0" ind2=" ">
    <subfield code="a">Acknowledgments.- Notes on Contributors.- Introduction.- .- PART ONE: 1890-1920.- 1. PEOPLE: The Men and Women Who Made French Cinema by Richard Abel.- 2. BUSINESS: The Birth of the Industry by Laurent Le Forestier.- 3. TECHNOLOGY: Innovation, Standardisation and Commercialisation in Early Film Technology by Laurent Mannoni.- 4. FORMS: The Shifting Boundaries of Art and Industry by Ian Christie.- 5. REPRESENTATIONS: Our Little Planet by Teresa Castro.- 6. SPECTATORS: The Cinemising Process: Film-Going in the Silent Era by Elizabeth Ezra.- 7. DEBATES: Early Developments in Film-Thinking by Monica Dall&#x2019;Asta.- .- PART TWO: 1920-50.- 8. PEOPLE: Migration and Exile in the Classical Period by Alastair Phillips.- 9. BUSINESS: Anarchy and Order in the French Film Industry by Colin Crisp.- 10. TECHNOLOGY: Plant, Imported Technologies and Film Style by Charles O&#x2019;Brien.- 11. FORMS: The Place and Desire of Avant-Garde and Experimental Forms by Jennifer Wild.- 12. FORMS: The Art of Spectacle: The Aesthetics of Classical French Cinema by Ginette Vincendeau.- 13. REPRESENTATIONS: The Geography and Topography of French Cinema by Keith Reader.- 14. REPRESENTATIONS: Gender Representations in French Fiction Films by No&#xEB;l Burch and Genevi&#xE8;ve Sellier.- 15. REPRESENTATIONS: Region, Colony, and Nation in French Documentary Films by Alison J. Murray Levine.- 16. SPECTATORS: In the Dark: Looking for the French Film Public by Michael Temple and Muriel Tinel-Temple.- 17. DEBATES: Trends and Developments in Film Criticism and Theory from the 1920s to the 1940s by Monica Dall&#x2019;Asta.- .- PART THREE: 1950-80.- 18. PEOPLE: Film-Making as a Collaborative Activity: The Contribution of Cinematographers, Screenwriters and Actors by Alison Smith.- 19. BUSINESS: The End of a Golden Era for the Industry by Laurent Creton and Anne J&#xE4;ckel.- 20. TECHNOLOGY: Technological Innovation and Change from the Mainstream to the Margins by Michael Witt.- 21. FORMS: The Diversity of Film-Making Forms and Practices during the Thirty Glorious Years by Michael Temple and Michael Witt.- 22. FORMS: Forms of Resistance and Revolt: `We Are in Agreement with All that has Struggled, and is Struggling still, since the World Began&#x2019; by Nicole Brenez.- 23. REPRESENTATIONS: A Camera of One&#x2019;s Own: Video in Feminist Hands by H&#xE9;l&#xE8;ne Fleckinger.- 24. REPRESENTATIONS: Material Turns: French Cinema and the Construction of Everyday Life by Sam Di Iorio.- 25. REPRESENTATIONS: A Greater France? French Cinema from the Colonial to the Postcolonial Period by S&#xE9;bastien Denis.- 26. SPECTATORS: Going Back Home by Franck Le Gac.- 27. DEBATES: Bazin and His Legacies by Daniel Morgan.- .- Part Four: 1980-PRESENT.- 28. PEOPLE: The Human Factor: Producers, Directors, Actors by Jean-Michel Frodon.- 29. BUSINESS: A Business Model under Threat? by Laurent Creton and Anne J&#xE4;ckel.- 30. TECHNOLOGY: `Delay the Start to Hasten the Finish&#x2019;: French Exhibitors and the Digital Revolution by Kira Kitsopanidou.- 31. FORMS: The Documentary Renaissanceby Michael Witt.- 32. FORMS: From Cinema to Film Arts by Nicole Brenez.- 33. REPRESENTATIONS: Fiction, Documentary and the Political by Martin O&#x2019;Shaughnessy.- 34. REPRESENTATIONS: Representations of Ethnic Minorities in French Cinema since 1980 by Will Higbee.- 35. REPRESENTATIONS: From Gay Visibility to Queer In/Visibilities by James S. Williams.- 36. SPECTATORS: The Spectator as Expert &#x2013; French Cinephilia Today by Laurent Jullier and Jean-Marc Leveratto.- 37. DEBATES: Philosophy and Film: Re-Framing the Cinematic Century by Hunter Vaughan.- .- Further Reading.- Selected Online Resources.- Index</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">Cine</subfield>
    <subfield code="x">Historia</subfield>
    <subfield code="z">Francia</subfield>
    <subfield code="9">171</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">Cine franc&#xE9;s </subfield>
    <subfield code="x">Historia </subfield>
    <subfield code="9">31612</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">Industria cinematogr&#xE1;fica </subfield>
    <subfield code="x">Historia </subfield>
    <subfield code="9">28114</subfield>
    <subfield code="z">Francia </subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">Cinematograf&#xED;a </subfield>
    <subfield code="x">Historia </subfield>
    <subfield code="9">37300</subfield>
    <subfield code="z">Francia </subfield>
  </datafield>
  <datafield tag="700" ind1="1" ind2=" ">
    <subfield code="a">Temple, Michael, </subfield>
    <subfield code="d">1963- </subfield>
    <subfield code="9">37872</subfield>
    <subfield code="e">editor</subfield>
  </datafield>
  <datafield tag="700" ind1="1" ind2=" ">
    <subfield code="a">Witt, Michael.</subfield>
    <subfield code="9">28723</subfield>
    <subfield code="e">editor</subfield>
  </datafield>
  <datafield tag="942" ind1=" " ind2=" ">
    <subfield code="2">lcc</subfield>
    <subfield code="c">BK</subfield>
  </datafield>
  <datafield tag="946" ind1=" " ind2=" ">
    <subfield code="i">dpf </subfield>
  </datafield>
  <datafield tag="999" ind1=" " ind2=" ">
    <subfield code="c">121894</subfield>
    <subfield code="d">121894</subfield>
  </datafield>
  <datafield tag="952" ind1=" " ind2=" ">
    <subfield code="0">0</subfield>
    <subfield code="1">0</subfield>
    <subfield code="2">lcc</subfield>
    <subfield code="4">0</subfield>
    <subfield code="7">0</subfield>
    <subfield code="8">HU</subfield>
    <subfield code="a">BJB</subfield>
    <subfield code="b">BJB</subfield>
    <subfield code="c">HU</subfield>
    <subfield code="d">2024-08-08</subfield>
    <subfield code="l">0</subfield>
    <subfield code="o">PN 1993.5 F873 2021</subfield>
    <subfield code="p">00000183180</subfield>
    <subfield code="r">2024-08-08 00:00:00</subfield>
    <subfield code="t">1</subfield>
    <subfield code="w">2024-08-08</subfield>
    <subfield code="y">BK</subfield>
  </datafield>
</record>
