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  <titleInfo>
    <title>Reel gender</title>
    <subTitle>Palestinian and Israeli cinema</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Atshan, Sa'ed</namePart>
    <namePart type="date">1984-</namePart>
    <role>
      <roleTerm type="text">editor </roleTerm>
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  </name>
  <name type="personal">
    <namePart>Galor, Katharina</namePart>
    <namePart type="date">1966-</namePart>
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    <dateIssued encoding="marc">2024</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>viii, 245 pages : color illustrations ; 23 cm.</extent>
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  <abstract>"Both the Palestinian and Israeli film categories-despite obvious overlaps and relatedness and while keeping in mind the inherent asymmetry of power dynamics-are at the forefront of engaging gender and sexuality"--</abstract>
  <tableOfContents>Introduction: Film and the Gender LensKatharina Galor (Brown University, USA) and Sa’ed Atshan (Emory University, USA) Part I: Feminist Perspectives1. The Religious Feminism of Rama Burshtein’s RomancesKaren E. H. Skinazi (University of Bristol, UK)2. Silence…No More…: Palestinian Cinema of TransgressionLema M. Salem (Independent Scholar, Germany)3. Families on the Edge: Interstitial Relations in Recent Palestinian Women’s CinemaAnna Ball (Nottingham Trent University, UK) Part II: Approaching Masculinities 4. Disappearances and Remains: Masculinity in the Cinema of Elia SuleimanKamran Rastegar (Tufts University, USA)5. “Queer As Can Be”: On Masculinity in Jumana Manna’s Blessed, Blessed OblivionGil Hochberg (Columbia University, USA) Part III: Israeli-Palestinian Intersections6. Our African Palestine: Intersectional Specters in the House of ZionGreg Burris (American University of Beirut, Lebanon)7. Write Down, I Am a WomanShai Ginsburg (Duke University, USA)8. Identity (Ex)Changes, Gender, and Family Ties: Cinematic Representations of Israeli Jews and PalestiniansYael Zerubavel (Rutgers University, USA)FilmographyFigures Index
</tableOfContents>
  <note type="statement of responsibility">edited by Sa'ed Atshan and Katharina Galor.</note>
  <note>Includes bibliographical references and index.</note>
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  <subject authority="lcsh">
    <topic>Feminism and motion pictures</topic>
    <geographic>Palestine</geographic>
  </subject>
  <subject>
    <topic>Feminismo y cine</topic>
    <geographic>Palestina</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Feminism and motion pictures</topic>
    <geographic>Israel</geographic>
  </subject>
  <subject>
    <topic>Feminismo y cine</topic>
    <geographic>Israel</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Gender identity in motion pictures</topic>
  </subject>
  <subject>
    <topic>Identidad de género en el cine</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>Palestine</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>Israel</geographic>
  </subject>
  <subject>
    <topic>Cine</topic>
    <geographic>Palestina</geographic>
  </subject>
  <subject>
    <topic>Cine</topic>
    <geographic>Israel</geographic>
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  <classification authority="lcc">PN 1995.9 R327 2024</classification>
  <classification authority="ddc">791.43/653</classification>
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      <title>Reel gender</title>
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      <publisher>New York, NY : Bloomsbury Academic, 2022</publisher>
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    <identifier type="local">(DLC) 2022009686</identifier>
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  <identifier type="isbn">9781501394256</identifier>
  <identifier type="isbn">1501394258</identifier>
  <identifier type="lccn">2022009685</identifier>
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