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    <subfield code="a">Spanish film cultures : </subfield>
    <subfield code="b">the making and unmaking of Spanish cinema /</subfield>
    <subfield code="c">N&#xFA;ria Triana-Toribio.</subfield>
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    <subfield code="a">London : </subfield>
    <subfield code="b">Palgrave on behalf of the British Film Institute, </subfield>
    <subfield code="c">2016.</subfield>
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    <subfield code="a">viii, 157 pages : </subfield>
    <subfield code="b">illustrations ; </subfield>
    <subfield code="c">23 cm. </subfield>
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    <subfield code="3">Cultural histories of cinema</subfield>
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    <subfield code="a">Includes bibliographical references and index.</subfield>
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    <subfield code="a">Introduction. Why academies?
Film cultures
Academicism : an authority over film cultures
What does academicism want?
When the Academia? The house is built of the stones that were available. The values and their origins
Academic foundations
The regime's long watch over cinema
Policies and organisations for a European Spain
By invitation only
No free lunch. And the winner is ... The Academia's less public awards
Engoyados
Voyage to somewhere
The big film prizes tell a story
Where the tastes of audiences and academicians meet
Galas
Shaping the televisual spectacle from 2005 to 2011. Being different : Almod&#xF3;var and the Academia. The making of an outsider
What kind of outsider is Almod&#xF3;var? Rogue males, 'bad' films and 'bad' loyalties : Santiago Segura and &#xC1;lex de la Iglesia. The turn to genre
When the winner does not take it all
Case one : not fit for export and not fit for Goyas: Segura's Lethal crisis (2011)
Case two : Academia vs. de la Iglesia and the internet. There is no such thing as a weak enemy. A severe case of cinephile anxiety
The cinephile habitus
Avant-garde vs. the national cinema
Moments of disruption and anti-institutionalism : the case of La soledad (2007). Transatlantic Academia. What Hollywood wants ... and what it gets
Tainted love : good things come from bad prizes
A prize, compromise and contradictions
Ideal Latin America
Challenges for the Academia : the crossover Latin American film at the Goyas
Hispanic transnational collaborative networks
Epilogue</subfield>
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    <subfield code="a">The past four decades have seen the Spanish film industry rise from isolation in the 1970s to international recognition within European and World Cinema today. Exploring the cultural and political imperatives that governed this success, this book shows how Spanish film culture was deliberately and strategically shaped into its current form.</subfield>
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    <subfield code="a">British Film Institute.</subfield>
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