02067    a2200277   4500003000800000005001700008007000300025008004100028020001800069020001500087040001300102041000800115050002400123100002800147245004000175260007300215300005800288490002300346500009000369505031400459520083200773600005801605630006401663650003901727830002301766BJBSDDR20241030125345.0ta270924s2023    enk           00| 0 eng d  a9781844578719  a1844578712  bengcDLC  aeng14aPS 3525bT242g 20231 aTaylor, Helen, d1947- 10aGone with the wind /cHelen Taylor.  aLondon : bPalgrave on behalf of the British Film Institute, c2023.  a117 pages : billustrations (some color)  ; c19 cm. 1 3 BFI film classics  a"This special edition features original cover artwork by HelloVon"--Page [4] of cover  aForeword.- 1. Introduction.- 2. Selznick's Folly: How Gone With the Wind was Made.- 3. The Greatest Star England Ever Gave Hollywood: Britain and the Search for Scarlett.- 4. The Racial Politics of Gone With the Wind.- 5. Scarlett and Rhett Destined or Doomed?- Conclusion.- Notes.- Bibliography.- Filmography  a"Gone With the Wind (1939), the highest-grossing film of all time, is sometimes dismissed as a reactionary popular romance. Interrogating such dismissals and hailing the film's vast ambition and astonishing production values, Helen Taylor explores its influence on film-makers, popularity with generations of audiences, and impact on everyday language. Arguing that the film, with its disturbing racial politics, set the agenda for more than a century's film representations of slavery and the Civil War, Taylor shows how it has been engaged with and challenged since -- form the mini-series Roots (1977) to 12 Years a Slave (2014). Drawing on new archival material about Vivien Leigh and seventy-five years of scholarship and popular culture references, Taylor makes the case for the film's classic status."--Page [4] of cover14aMitchell, Margaret, d1900-1949 tGone with the wind 04aLo que el viento se llevó (Película cinematográfica)  4aNovela histórica estadounidense  0aBFI film classics