03587cam a2200421 a 4500 562908 BJBSDDR 20250723165934.0 a|||||r|||| 00| 0 ta 890302s1990 enka rb 001 0 eng 89006038 0415001315 (pbk.) 9780415001311 (pbk.) 562908 DLC DLC DLC eng eng e-fr--- PN 1993.5 F873 1990 791.43/0944 French film, texts and contexts / edited by Susan Hayward and Ginette Vincendeau. London ; New York : Routledge, 1990. ix, 309 pages : illustrations ; 24 cm. text txt rdacontent unmediated n rdamedia volume nc rdacarrier Includes bibliographical references (pages [297]-304) and index. 'Poetry of the unconscious' : circuits of desire in two films by Germaine Dulac : La Souriante Mme Beudet (1923) and La Coquille et le clergyman (1927) / Sandy Flitterman-Lewis History and actuality : Abel Gance's Napoléon vu par Abel Gance (1927) / Norman King Discourse, narrative, and the subject of capital : Marcel L'Herbier's L'Argent (1929) / Richard Abel 'Let's sing it one more time' : René Clair's Sous les toits de Paris (1930) / Michel Marie In the name of the father : Marcel Pagnol's 'trilogy' Marius (1931), Fanny (1932), César (1936) / Ginette Vincendeau The fleeing gaze : Jean Renoir's La Betê humaine (1938) / Michel Lagny Poetic realism as psychoanalytical and ideological operation : Marcel Carné's Le Jour se lève (1939) / Maureen Turim. Beneath the despair, the show goes on : Marcel Carné's Les Enfants du paradis (1943-1945) / Jean-Pierre Jeancolas Gender politics : Cocteau's Belle is not that Bête : Jean Cocteau's La Belle et la Bête (1946) / Susan Hayward The sacrament of writing : Robert Bresson's Le Journal d'un curé de campagne (1951) / Keith A. Reader A breath of sea air : Jacques Tati's Les Vacances de M. Hulot (1952) / Pierre Sorlin Casque d'or casquettes, a cask of aging wine : Jacques Becker's Casque d' or (1952) Dudley Andrew How history begets meaning : Alain Resnais' Hiroshima mon amour (1959) / Marie-Claire Ropars-Wuilleumier The script of delinquency : François Truffaut's Les 400 coups (1959) / Anne Gillain 'It really makes you sick!' : Jean-Luc Godard's A bout de souffle (1959) / Michel Marie The fall of the gods : Jean-Luc Godard's Le Mépris (1963) / Jacques Aumont. Eye for irony : Eric Rohmer's Ma nuit chez Maud (1969) / Norman King 'Liberté! egalité! paternité! : Jean-Luc Godard and Anne-Marie Miéville's Sauve qui peut (la vie) 1980 / Claire Pajaczkowska Therapeutic realism : Maurice Pailat's A nos amours (1983) / Ginette Vincendeau Representing the sexual impasse : Eric Rohmer's Les Nuits de la pleine lune (1984) / Berenice Reynaud Beyond the gaze and into femme- filmécriture : Agnès Varda's Sans toit ni loi (1985) / Susan Hayward Analyses key French films in their cultural context and explores their relation to literary texts and ideas of national history. Motion pictures France History. Cine Historia Francia 171 Hayward, Susan, 1917-1975 23891 editor Vincendeau, Ginette, 1948- 43517 editor 7 cbc orignew 1 ocip 19 y-gencatlg lcc BK LLH 124319 124319 0 0 lcc 0 0 HU BJB BJB HU 2025-07-18 0 PN 1993.5 F873 1990 00000193482 2025-07-18 21:33:00 1 2025-07-18 BK