03890cam a22004934a 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.0a|||||r|||| 00| 0 ta050329s2005 vtua b 001 0 eng  a 2005008774 a9781555952631 (soft)  a1555952631 (soft)  a9781555652630 a1555652638 a13914329 a(OCoLC)58789494 aDLCcDLCdBAKERdC#PdDLCbeng aeng apcc an-us---14aN 72bM429m 200500a791.43/0973/090411 aMathews, Nancy Mowll, d1947- 10aMoving pictures :bAmerican art and early film, 1880-1910 /cNancy Mowll Mathews with Charles Musser ; contributions by Marta Braun ... [et al.]. aManchester, Vt. :bHudson Hills Press in association with the Williams College Museum of Art :bDistributed in the US and Canada by National Book Network,cc2005. aviii, 192 pages :billustrations (some color) ;c32 cm. + e1 DVD-ROM (4 3/4 in.) atextbtxt2rdacontent aunmediatedbn2rdamedia avolumebnc2rdacarrier a"Issued in conjunction with the exhibition Traditions of America with moving pictures: American art and early film, 1880-1910, Williams College Museum of Art, July 16, 2005-December 11, 2005"--T.p. verso. aIncludes bibliographical references and index.0 aIntroduction – Nancy Mowll Mathews A Cornucopia of Images: Comparison and Judgment Across Theater, Film, and the Visual Arts During the Late Nineteenth Century – Charles Musser Early Film and American Artistic Traditions – Nancy Mowll Mathews Experiencing Nature in Early Film: Dialogues with Church’s Niagara and Homer’s Seascapes – Katherine Manthorne John Singer Sargent’s Moving Pictures – Erica Hirshler The Line, the Stitch, and the Wardrobe: Conjuring the Past in American Mural Painting and Film at the Turn of the Twentieth Century – Lucy Oakley The Body in Motion – Nancy Mowll Mathews Chronophotography: Leaving Traces – Marta Braun Frieze Frames: Painted Processions in American Art about 1900 – Marc Simpson “A Personality So Marked”: Eugen Sandow and Visual Culture – Charles Musser On the Canvas: Boxing, Art, and Cinema – Dan Streible The City in Motion – Nancy Mowll Mathews The Impressionist City in Motion: Childe Hassam and Moving Pictures in New York City, 1890–1900 – Dana Pilson Tough Girls – Ellery Foutch John Sloan: Movies and Moving Through the City – Joyce Schiller Art and Film: Interactions – Nancy Mowll Mathews The Film Crowd – Antonia Lant Seeing, Touching, Fleeing – Michael Leja Moving Images and the Transformation of the Image in Modern Vision – Tom Gunning Exhibition Checklist & Lenders to the Exhibition a"This publication explores the complex relationship between American art and early film. From the photographs of Muybridge, Marey, and Eakins of the 1880s, to the first films of the 1890s which drew from established conventions of American art, to the New York films and art of the first decades of the twentieth century, the struggle between art and film both polarized and inspired the artists of its era."--Jacket 0aArt and motion pictureszUnited StatesxHistoryy20th centuryvExhibitions. 4aArte y cine xHistoria zEstados Unidos ySiglo XX vExposiciones  0aArt, Americany20th centuryvExhibitions. 4aArte estadounidense ySiglo XX 7aExhibition catalogs.2lcgft0https://id.loc.gov/authorities/genreForms/gf20140260981 aMusser, Charles John, d1951- 1 aBraun, Marta, d1946- 2 aWilliams College.bMuseum of Art.2 aWilliams College Museum of Art (WCMA)