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  <titleInfo>
    <title>Why Bob Dylan matters</title>
  </titleInfo>
  <name type="personal">
    <namePart>Thomas, Richard F.</namePart>
    <namePart type="date">1950-</namePart>
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  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Dey Street Books</publisher>
    <dateIssued>2018</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>358 pages ;  19 cm</extent>
  </physicalDescription>
  <abstract>When the Nobel Prize for Literature was awarded to Bob Dylan in 2016, a debate raged. Some celebrated, while many others questioned the choice. How could the world's most prestigious book prize be awarded to a famously cantankerous singer-songwriter who wouldn't even deign to attend the medal ceremony? In 'Why Bob Dylan matters', Harvard Professor Richard F. Thomas answers this question with magisterial erudition. A world expert on Classical poetry, Thomas was initially ridiculed by his colleagues for teaching a course on Bob Dylan alongside his traditional seminars on Homer, Virgil, and Ovid. Dylan's Nobel Prize brought him vindication, and he immediately found himself thrust into the spotlight as a leading academic voice in all matters Dylanological. Today, through his wildly popular Dylan seminar - affectionately dubbed "Dylan 101"--Thomas is introducing a new generation of fans and scholars to the revered bard's work. This witty, personal volume is a distillation of Thomas's famous course, and makes a compelling case for moving Dylan out of the Rock and Roll Hall of Fame and into the pantheon of Classical poets</abstract>
  <tableOfContents>Bob Dylan's discography -- Why does Dylan matter to us? -- Together through life -- Dylan and ancient Rome: "That's where I was born" -- "Vibrations in the universe": Dylan tells his own story -- The early thefts: "Mine've been like Verlaine's and Rimbaud's" -- "The gift was given back": Time Out of Mind and beyond -- Mature poets steal: Virgil, Dylan, and the making of a classic -- Modern Times and the world's ancient light: becoming Homer -- The show's the thing: Dylan in performance -- Conclusion: Speechless in Stockholm.</tableOfContents>
  <note type="statement of responsibility">Richard F. Thomas.</note>
  <note>Includes bibliographical references, discography and index.</note>
  <subject>
    <name type="personal">
      <namePart>Dylan, Bob</namePart>
      <namePart type="date">1941-</namePart>
    </name>
    <topic>Crítica e interpretación</topic>
  </subject>
  <subject>
    <topic>Música rock</topic>
    <topic>Historia y crítica</topic>
  </subject>
  <classification authority="lcc">ML 420 T461w 2018</classification>
  <identifier type="isbn">9780062685742</identifier>
  <identifier type="isbn"> 1163956482</identifier>
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    <recordCreationDate encoding="marc">250805</recordCreationDate>
    <recordChangeDate encoding="iso8601">20251003113044.0</recordChangeDate>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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