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  <titleInfo>
    <title>Compound cinematics</title>
    <subTitle>Akira Kurosawa and I</subTitle>
  </titleInfo>
  <titleInfo type="uniform">
    <title>Fukugan no eizō.  English</title>
  </titleInfo>
  <name type="personal">
    <namePart>Hashimoto, Shinobu</namePart>
    <namePart type="date">1918-2018</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Morimoto, Lori Dianne Hitchcock</namePart>
    <namePart type="date">1966-</namePart>
    <role>
      <roleTerm type="text">translator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York, NY</placeTerm>
    </place>
    <publisher>Kodansha</publisher>
    <dateIssued>2023</dateIssued>
    <edition>First paperback edition English language version</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>259 pages : illustrations ;  21 cm</extent>
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  <abstract>Any list of Japan's greatest screenplay writers would feature Shinobu Hashimoto near or at the top. This memoir, focusing on his collaborations with Akira Kurosawa, a gifted scenarist in his own right, offers an indispensable insider account and invaluable insights into the unique process that is writing for the screen. Now in paperback, Compound cinematics also stands as a moving reckoning of sorts. The vast majority of Kurosawa's oeuvre was filmed from screenplays that the director co-wrote with a stable of stellar scenarists. Among these was the author, who caught the filmmaker's attention with a script that eventually turned into Rashomon, and who went on to play an integral part in developing and writing two of the grandmaster's crowning jewels--Ikiru and Seven samurai--and other cineaste favorites
</abstract>
  <tableOfContents>"One blow"
Tokyo march
The birth of Rashomon. My comrade at the Disabled veterans' rehabilitation facility ; My lifelong mentor, Mansaku Itami
The man called Akira Kurosawa. Rashomon ; Ikiru ; Seven samurai I ; Seven samurai II
The lights and shadows of collaborative screenplays. The "writer leading off" approach ; The straight-to-final draft
Hashimoto Pro and Mr. Kurosawa. Two assistant directors ; Kagemusha ; Ran
What followed for Mr. Kurosawa
Epilogue. Ryuzo Kikushima ; Hideo Oguni ; Akira Kurosawa
</tableOfContents>
  <note type="statement of responsibility">Shinobu Hashimoto ; Translated by  Lori Hitchcock Morimoto.</note>
  <note>Originally published as: Fukugan no eizō : watashi to Kurosawa Akira. Japan : Bungeishunju, ©2006.</note>
  <note>Previously published in hardcover in 2015 </note>
  <note>Includes filmography.</note>
  <note>Translated into English from the Japanese.</note>
  <subject>
    <name type="personal">
      <namePart>Hashimoto, Shinobu</namePart>
      <namePart type="date">1918-2018</namePart>
    </name>
  </subject>
  <subject>
    <name type="personal">
      <namePart>Kurosawa, Akira</namePart>
      <namePart type="date">1910-1998</namePart>
    </name>
  </subject>
  <subject>
    <topic>Producción y dirección cinematográfica</topic>
  </subject>
  <subject>
    <topic>Productores y directores de cine</topic>
    <geographic>Japón</geographic>
  </subject>
  <subject>
    <topic>Guionistas</topic>
    <geographic>Japón</geographic>
  </subject>
  <subject>
    <topic>Guionistas de cine</topic>
  </subject>
  <classification authority="lcc">PN 1998.3 H348c 2023</classification>
  <identifier type="isbn">9781647293222</identifier>
  <identifier type="isbn">1647293227</identifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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