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  <titleInfo>
    <nonSort>The </nonSort>
    <title>new woman's film</title>
    <subTitle>femme-centric movies for smart chicks</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Radner Fox, Hilary Ann</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <dateIssued encoding="marc">2017</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xii, 211 pages : illustrations ; 23 cm.</extent>
  </physicalDescription>
  <tableOfContents>Introduction : what do women watch?
After the woman's picture: the new woman's film and the chick flick
The new woman's film in the twenty-first century: the smart-chick film and Rachel getting married (Jonathan Demme, 2008)
Anticipating the twenty-first century: "Dirty Harry bathed in a romantic glow?" and The bridges of Madison Country (Clint Eastwood, 1995)
Nicole Holofcener as the American female auteur: "keeping it real" walking and talking (1996), Lovely &amp; amazing (2002), Friends with money (2006) Please give (2010), Enough said (2013)
Stardom, celebrity and the new woman's film: Tilda Swinton and the maternal melodrama "winning an Oscar was wasted on me"
Oscars for women and the films of Woody Allen: Blue Jasmine (Woody Allen, 2013)
The girl crush: Frances Ha (Noah Baumbach, 2013), "The toast of Telluride"
Diversity, the female biopic and the new woman's film: Belle (Amma Asante, 2013)
A past with a future, the ongoing evolution of the new woman's film: From top of the lake (Sundance Channel, 2013) to Fifty shades of grey (Sam Taylor-Johnson, 2015)
Coda: feminism redux</tableOfContents>
  <note type="statement of responsibility">Hilary Radner.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <topic>Women in motion pictures</topic>
  </subject>
  <subject>
    <topic>Mujeres en el cine</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures for women</topic>
  </subject>
  <classification authority="lcc">PN 1995.9 R129n 2017</classification>
  <classification authority="ddc">791.43/6522</classification>
  <identifier type="isbn">9781138186811 (pbk.)</identifier>
  <identifier type="isbn">1138186813 (pbk.)</identifier>
  <identifier type="lccn">2016038505</identifier>
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    <recordChangeDate encoding="iso8601">20251125094150.0</recordChangeDate>
    <recordIdentifier source="BJBSDDR">19379285</recordIdentifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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