<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <title>Mood machine</title>
    <subTitle>the rise of Spotify and the costs of the perfect playlist</subTitle>
  </titleInfo>
  <titleInfo type="alternative">
    <title>Rise of Spotify and the costs of the perfect playlist</title>
  </titleInfo>
  <name type="personal">
    <namePart>Pelly, Liz</namePart>
    <namePart type="date">1990-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <genre authority="lcgft">Informational works</genre>
  <genre authority="rvmgf">Documents d'information</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <dateIssued encoding="marc">2025</dateIssued>
    <edition>First One Signal Publishers/Atria Books Paperback edition.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xii, 272 pages ; 22 cm</extent>
  </physicalDescription>
  <abstract>"An unsparing investigation into Spotify's origins and influence on music, weaving unprecedented reporting with incisive cultural criticism, illuminating how streaming is reshaping music for listeners and artists alike. Drawing on over one hundred interviews with industry insiders, former Spotify employees, and musicians, Mood Machine takes us to the inner workings of today's highly consolidated record business, showing what has changed as music has become increasingly playlisted, personalized, and autoplayed. Building on her years of wide-ranging reporting on streaming, music journalist Liz Pelly details the consequences of the Spotify model by examining both sides of what the company calls its two-sided marketplace: the listeners who pay with their dollars and data, and the musicians who provide the material powering it all. The music business is notoriously opaque, but here Pelly lifts the veil on major stories like streaming services filling popular playlists with low-cost stock music and the rise of new payola-like practices. For all of the inequities exacerbated by streaming, Pelly also finds hope in chronicling the artist-led fight for better models, pointing toward what must be done collectively to revalue music and create sustainable systems. A timely exploration of a company that has become synonymous with music, Mood Machine will change the way you think about and listen to music"-- Publisher's website.</abstract>
  <tableOfContents>The bureau of piracy... -- "Saving" the music industry -- Selling lean-back listening -- The conquest of chill -- Ghost artists for hire -- The background music makers -- Streambait pop -- Listen to yourself -- Self-driving music -- Fandom as data -- Sounds for self-optimization -- Streaming as surveillance -- The first .0035 is the hardest -- An app for a boss -- Indie vibes -- This is...payola? -- The lobbyists -- The new music labor movement.</tableOfContents>
  <note type="statement of responsibility">Liz Pelly.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <name type="corporate">
      <namePart>Spotify (Firm)</namePart>
    </name>
  </subject>
  <subject authority="lcsh">
    <name type="corporate">
      <namePart>Spotify (Firm)</namePart>
    </name>
    <topic>History</topic>
  </subject>
  <subject authority="lcsh">
    <name type="corporate">
      <namePart>Spotify (Firm)</namePart>
    </name>
    <topic>Influence</topic>
  </subject>
  <subject>
    <name type="corporate">
      <namePart>Spotify (Empresa) </namePart>
    </name>
  </subject>
  <subject authority="lcsh">
    <titleInfo>
      <title>Spotify</title>
    </titleInfo>
  </subject>
  <subject authority="lcsh">
    <topic>Music and the Internet</topic>
  </subject>
  <subject>
    <topic>Música en internet</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Streaming audio</topic>
  </subject>
  <subject>
    <topic>Audio digital</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Sound recording industry</topic>
  </subject>
  <subject>
    <topic>Industria de grabación de sonido</topic>
  </subject>
  <subject>
    <topic>Sonido</topic>
    <topic>Grabación y reproducción</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Music trade</topic>
    <topic>Technological innovations</topic>
  </subject>
  <subject>
    <topic>Música</topic>
    <topic>Comercio</topic>
    <topic>Innovaciones tecnológicas</topic>
  </subject>
  <subject>
    <topic>Reproducción del sonido (Técnicas digitales)</topic>
  </subject>
  <subject>
    <topic>Transmisión en vivo (Telecomunicaciones)</topic>
  </subject>
  <subject authority="rvm">
    <topic>Musique et Internet</topic>
  </subject>
  <subject authority="rvm">
    <topic>Audio en continu</topic>
  </subject>
  <subject authority="rvm">
    <topic>Enregistrements sonores</topic>
    <topic>Industrie</topic>
  </subject>
  <subject authority="rvm">
    <topic>En continu (Télécommunications)</topic>
  </subject>
  <subject authority="rvm">
    <topic>Musique</topic>
    <topic>Industrie</topic>
    <topic>Innovations</topic>
  </subject>
  <subject authority="bisacsh">
    <topic>MUSIC / History &amp; Criticism</topic>
  </subject>
  <subject authority="bisacsh">
    <topic>BUSINESS &amp; ECONOMICS / Industries / Entertainment</topic>
  </subject>
  <subject authority="bisacsh">
    <topic>SOCIAL SCIENCE / Technology Studies</topic>
  </subject>
  <subject authority="fast">
    <topic>Music and the Internet</topic>
  </subject>
  <subject authority="fast">
    <topic>Streaming audio</topic>
  </subject>
  <subject authority="fast">
    <topic>Sound recording industry</topic>
  </subject>
  <subject authority="fast">
    <topic>Music trade</topic>
  </subject>
  <subject authority="fast">
    <topic>Streaming technology (Telecommunications)</topic>
  </subject>
  <subject authority="sears">
    <topic>Sound recording industry</topic>
  </subject>
  <subject authority="sears">
    <topic>Music trade</topic>
  </subject>
  <subject authority="sears">
    <topic>Telecommunication</topic>
  </subject>
  <classification authority="lcc">ML 3792  P392m 2025</classification>
  <classification authority="ddc">780.285</classification>
  <identifier type="isbn">9781668083512 (pbk)</identifier>
  <identifier type="isbn" invalid="yes"/>
  <identifier type="lccn">2025385099</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg">YDX</recordContentSource>
    <recordCreationDate encoding="marc">250515</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260721131941.0</recordChangeDate>
    <recordIdentifier source="BJBSDDR">24205346</recordIdentifier>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
    </languageOfCataloging>
  </recordInfo>
</mods>
