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  <titleInfo>
    <nonSort>The </nonSort>
    <title>independent film producer's survival guide</title>
    <subTitle>a business and legal sourcebook</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Erickson, J. Gunnar</namePart>
    <namePart type="date">1946-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Tulchin, Harris.</namePart>
  </name>
  <name type="personal">
    <namePart>Halloran, Mark E.</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Schirmer Trade Books</publisher>
    <dateIssued>c2010</dateIssued>
    <dateIssued encoding="marc">2010</dateIssued>
    <edition>3rd ed.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xv, 464 p. : ill., forms ; 23 cm.</extent>
  </physicalDescription>
  <abstract>In this comprehensive guidebook, three experienced entertainment lawyers tell you everything you need to know to produce and market an independent filmâfrom the development process to deal making, financing, setting up the production, hiring directors and actors, securing location rights, acquiring music, calculating profits, digital moving making, distribution, and marketing your movie. This all-new second edition has been completed updated.</abstract>
  <tableOfContents>How to use this book -- Deal making -- The development process -- Getting the star elements -- Private money and soft money financing -- Presales -- Production loans -- Setting up the production -- Hiring writers -- Hiring directors -- Hiring actors -- Hiring producers and other production personnel -- Releases and miscellaneous production matters -- Music in film -- Selling your completed independent feature -- Distribution, sales, agency, and licensing agreements -- Digital promotion, marketing, and distribution -- Key issues in online distribution -- Profits -- The last scene and closing credits.</tableOfContents>
  <note type="statement of responsibility">Gunnar Erickson, Harris Tulchin, Mark Halloran.</note>
  <note>Includes index.</note>
  <subject>
    <geographicCode authority="marcgac">n-us---</geographicCode>
  </subject>
  <subject authority="lcsh">
    <topic>Independent filmmakers</topic>
    <topic>Legal status, laws, etc</topic>
    <geographic>United States</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <topic>Law and legislation</topic>
    <geographic>United States</geographic>
  </subject>
  <classification authority="lcc">KF4298 E68i 2010</classification>
  <classification authority="ddc" edition="22">343.7309/9</classification>
  <identifier type="isbn">9780825637230</identifier>
  <identifier type="lccn">2010487313</identifier>
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    <recordChangeDate encoding="iso8601">20260424114818.0</recordChangeDate>
    <recordIdentifier source="BJBSDDR">16332140</recordIdentifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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