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  <titleInfo>
    <title>World socialist cinema</title>
    <subTitle>alliances, affinities, and solidarities in the global Cold War</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Salazkina, Masha</namePart>
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    <dateIssued encoding="marc">2023</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xiv, 370 pages :  illustrations (some color) ;  23 cm</extent>
  </physicalDescription>
  <abstract>"World Socialist Cinema: Alliances, Affinities and Solidarities reconstructs the trajectories of international film circulation between the Soviet Bloc and the countries of the Global South in the mid- to late Twentieth Century. The book takes as its focal point the Tashkent International Festival of Cinemas of Asia, Africa and Latin America that took place in Uzbekistan (USSR) throughout the 1970s and 1980s. Centering on the vast body of cinematic work from the three continents screened at the festival and paying particular attention to the internal tensions and gender dynamics within it, the book proposes world socialist cinema as a distinct formation, providing an alternative to Euro-centric and/or national and regional narratives of film history: an international socialist cinema as seen from the vantage point of the Global South"--</abstract>
  <tableOfContents>Soviet Afro-Asian solidarity at Tashkent : setting up the stage
Tashkent
Tashkent 1972-
Tashkent festival critical discourses
The woman question at Tashkent and world socialist (women's) cinema
World cinema of socialist industrial modernity
Cultural heritage in world socialist cinema
World socialist cinema of armed struggle</tableOfContents>
  <note type="statement of responsibility">Masha Salazkina.</note>
  <note>Includes bibliographical references and index.</note>
  <note xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://creativecommons.org/licenses.">This work is licensed under a Creative Commons CC BY-NC-ND license. To view a copy of the license, visit https://creativecommons.org/licenses.</note>
  <subject authority="lcsh">
    <topic>Socialism and motion pictures</topic>
    <geographic>Asia</geographic>
    <temporal>20th century</temporal>
  </subject>
  <subject>
    <topic>Socialismo y cine</topic>
    <temporal>Siglo XX</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Socialism and motion pictures</topic>
    <geographic>Africa</geographic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Socialism and motion pictures</topic>
    <geographic>Latin America</geographic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Film festivals</topic>
    <geographic>Uzbekistan</geographic>
    <geographic>Tashkent</geographic>
  </subject>
  <subject>
    <topic>Festivales de cine</topic>
  </subject>
  <subject authority="lcsh">
    <geographic>Soviet Union</geographic>
    <topic>Foreign relations</topic>
    <temporal>1945-1991</temporal>
  </subject>
  <classification authority="lcc">HX 550 S161w 2023</classification>
  <classification authority="ddc">791.43095</classification>
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      <title>World socialist cinema</title>
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    <name>
      <namePart>Salazkina, Masha.</namePart>
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    <originInfo>
      <publisher>Oakland, California : University of California Press, [2023]</publisher>
    </originInfo>
    <identifier type="local">(DLC) 2022038153</identifier>
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  <relatedItem type="series">
    <titleInfo>
      <title>Cinema cultures in contact</title>
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  <identifier type="isbn">9780520393752 (paperback)</identifier>
  <identifier type="isbn">0520393759 (paperback)</identifier>
  <identifier type="lccn">2022038152</identifier>
  <accessCondition type="useAndReproduction">This work is licensed under a Creative Commons CC BY-NC-ND license. To view a copy of the license, visit</accessCondition>
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