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  <titleInfo>
    <title>Cinema's military industrial complex</title>
  </titleInfo>
  <name type="personal">
    <namePart>Wasson, Haidee</namePart>
    <namePart type="date">1970-</namePart>
  </name>
  <name type="personal">
    <namePart>"Grieveson, Lee</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">California</placeTerm>
    </place>
    <publisher>Wasson Haidee</publisher>
    <dateIssued>2018</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xiv 379 pages :  illustrations ;  23 cm</extent>
  </physicalDescription>
  <abstract>The vast, and vastly influential, American military machine has been aided and abetted by cinema since the earliest days of the medium. The US military realized very quickly that film could be used in myriad ways: training, testing, surveying and mapping, surveillance, medical and psychological management of soldiers, and of course, propaganda. Bringing together a collection of new essays, based on archival research, Wasson and Grieveson seek to cover the complex history of how the military deployed cinema for varied purposes across the the long twentieth century, from the incipient wars of US imperialism in the late nineteenth century to the ongoing War on Terror.</abstract>
  <note type="statement of responsibility"> Edited, Haidee Wasson, Lee Grieveson</note>
  <classification authority="lcc"> H149 2018</classification>
  <identifier type="isbn">9780520291515</identifier>
  <identifier type="isbn">0520291506,</identifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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