04855cam a22003738i 450000100090000000300080000900500170001700700030003400800410003701000170007802000300009502000270012502000270015203500130017904000270019204100080021904200080022705000240023508200130025910000250027224501570029726400590045430000480051333600260056133700280058733800270061550400510064250523080069352013740300165000300437565000190440565500190442470000380444323827458BJBSDDR20260820173909.0ta240816s2025    ilu      b    001 0 eng    a  2024038375  a9780226479828 (paperback)  a022647982X (paperback)  z9780226479965q(ebook)  a23827458  aICU/DLCbengerdacDLC  aeng  apcc14aPN 1995bG976a 202500a791.43091 aGunning, Tom,d1949-14aThe attractions of the moving image :bessays on history, theory, and the avant-garde /cTom Gunning ; edited and with an introduction by Daniel Morgan. 1aChicago, IL :bThe University of Chicago Press,c2025.  axvi, 548 pages : billustrations ; c23 cm.  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  aIncludes bibliographical references and index.0 aPreface. Pulling pieces together / Tom Gunning -- Introduction. The energies of cinema : on the methods of Tom Gunning / Daniel Morgan -- The cinema of attractions : early film, its spectator, and the avant-garde (1986/1990) -- What I saw from the rear window of the Hôtel des Folies-dramatiques, or the story point-of-view films told (1988) -- An aesthetic of astonishment : early film and the (in)credulous spectator (1989) -- In your face : physiognomy, photography, and the gnostic mission of early film (1997) -- Landscape and the fantasy of moving pictures : early cinema's phantom rides (2010) -- The play between still and moving images : nineteenth-century "philosophical toys" and their discourse (2011) -- The exterior as interieur : Benjamin's optical detective (2003) -- Systematizing the electric message : narrative form, gender, and modernity in The Lonedale operator (2004) -- Moving away from the index : cinema and the impression of reality (2007) -- To scan a ghost : the ontology of mediated vision (2007) -- The long and the short of it : centuries of projecting shadows, from natural magic to the avant-garde (2009) -- Chaplin and the body of modernity (2010) -- The language of motion : moving images within the evolution of human technology (2011; unpublished) -- Moving through Friedberg's properly adjusted virtual window (2019) -- Dr. Jacobs's dream work : Ken Jacobs's The doctor's dream (1981-1982) -- The critique of seeing with one's own eyes : Ernie Gehr's Untitled (1977) (1982-1983) -- "Films that tell time" : the paradoxes of the cinema of Ken Jacobs (1989) -- Towards a minor cinema : Fonoroff, Herwitz, Ahwesh, Lapore, Klahr, and Solomon (1989-1990) -- Perspective and retrospective : the films of Ernie Gehr (1993) -- Bodies rest and motion : the films of Mark Lapore (2006) -- From fossils of time to a cinematic genesis : Gustav Deutsch's Film ist. (2009) -- Flaming images : burning through the celluloid closet (2009/2020; unpublished) -- Abigail Child : the pulse of the last machine (2011) -- The secret language of the traces of light : David Gatten's Dividing line (2011) -- The grain of the scratch : the precarity of transparency in cinema (2015; unpublished) -- Transport of joy : a meditation on the medium of Stan Brakhage (2013/2021; unpublished).  a"An essential collection of new and selected essays by influential cinema and media studies scholar Tom Gunning. Tom Gunning is the author of multiple books and nearly two hundred essays that have defined the field of cinema and media studies. His works have transformed our understanding of early cinema and the American avant-garde and reset the terms of many central debates in film and media history and theory. His 1986 essay "The Cinema of Attractions" is among the most cited essays on film ever published. Gunning's writings articulate a distinctive and powerful model for thinking about cinema's history and likely future, addressing the full range of moving-image media, from film to still photography to digital media. His discussions draw on stage melodrama and magic lantern shows, as well as criminology, world's fairs, and Spiritualism, surveying the medium as a cultural phenomenon informed by the industrial and information ages, psychiatry, urban experience, discourses on art and aesthetics, and more. This collection brings together twenty-six essays that showcase the depth and range of Gunning's scholarship, including four that have never before been published. Together, they solidify Gunning's place as a scholar who has transformed the way generations of scholars, archivists, critics, and artists think about cinema"--cProvided by publisher. 0aMotion picturesxHistory. 4aCinexHistoria 7aEssays.2lcgft1 aMorgan, Daniel, d1977- eeditor