01731cam a2200301   4500003000800000005001700008007000300025008004100028020001500069020001800084040001700102041000800119050002800127082001400155100003000169245007400199260005100273300004200324505043600366520031600802650002101118650002501139650006001164650006101224650004601285650004701331650005101378BJBSDDR20230410102111.0ta060907s1997    pau                 eng    a1566394848  a9781566394840  bspacBJBSDDR  aeng14a118 ML 3465bA933m 199700a784.18/881 aAusterlitz, Paul, d1957-10aMerengue :bDominican music and Dominican identity /cPaul Austerlitz  aPhiladelphia :bTemple University Press,c1997  axviii, 195 p. :bil., mús. ;c23 cm0 aThe history of merengue 1854-1961, 15. -- Nineteeth-century Caribbean merengue, 15. -- Merengue cibaeño, cultural nationalism, and resistence, 30. -- Music and the state : Merengue during the Era of Trujillo, 1930-1961, 52. -- The contemporary era, 1961-1995, 83. -- Merengue in the transnational community, 83. -- Innovation and social issues in pop merengue, 105. -- Merengue on the global stage, 123. -- Enduring localism, 135  aMerengue is a quintessential Dominican dance music. This work aims to unravel the African and Iberian roots of merengue. It examines the historical and contemporary contexts in which merengue is performed and danced, its symbolic significance, its social functions, and its musical and choreographic structures. 0aMerengue (Dance) 4aMerengue (Música)  0aDance musiczDominican RepublicxHistory and criticism. 4aMúsica xHistoria y crítica zRepública Dominicana 4aMúsica popular zRepública Dominicana 4aMúsica bailable zRepública Dominicana 4aMerengue (Acordeon, guira y tambora)xHistoria