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  <titleInfo>
    <title>Merengue</title>
    <subTitle>Dominican music and Dominican identity</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Austerlitz, Paul</namePart>
    <namePart type="date">1957-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">pau</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Philadelphia</placeTerm>
    </place>
    <publisher>Temple University Press</publisher>
    <dateIssued>1997</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xviii, 195 p. : il., mús. ; 23 cm</extent>
  </physicalDescription>
  <abstract>Merengue is a quintessential Dominican dance music. This work aims to unravel the African and Iberian roots of merengue. It examines the historical and contemporary contexts in which merengue is performed and danced, its symbolic significance, its social functions, and its musical and choreographic structures.</abstract>
  <tableOfContents>The history of merengue 1854-1961, 15. -- Nineteeth-century Caribbean merengue, 15. -- Merengue cibaeño, cultural nationalism, and resistence, 30. -- Music and the state : Merengue during the Era of Trujillo, 1930-1961, 52. -- The contemporary era, 1961-1995, 83. -- Merengue in the transnational community, 83. -- Innovation and social issues in pop merengue, 105. -- Merengue on the global stage, 123. -- Enduring localism, 135</tableOfContents>
  <note type="statement of responsibility">Paul Austerlitz</note>
  <subject authority="lcsh">
    <topic>Merengue (Dance)</topic>
  </subject>
  <subject>
    <topic>Merengue (Música)</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Dance music</topic>
    <geographic>Dominican Republic</geographic>
    <topic>History and criticism</topic>
  </subject>
  <subject>
    <topic>Música</topic>
    <topic>Historia y crítica</topic>
    <geographic>República Dominicana</geographic>
  </subject>
  <subject>
    <topic>Música popular</topic>
    <geographic>República Dominicana</geographic>
  </subject>
  <subject>
    <topic>Música bailable</topic>
    <geographic>República Dominicana</geographic>
  </subject>
  <subject>
    <topic>Merengue (Acordeon, guira y tambora)</topic>
    <topic>Historia</topic>
  </subject>
  <classification authority="lcc">118 ML 3465 A933m 1997</classification>
  <classification authority="ddc">784.18/88</classification>
  <identifier type="isbn">1566394848</identifier>
  <identifier type="isbn">9781566394840</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg"/>
    <recordCreationDate encoding="marc">060907</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230410102111.0</recordChangeDate>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">spa</languageTerm>
    </languageOfCataloging>
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