02048cam a2200385 a 4500001000700000003000800007005001700015007000300032008004100035010001700076020003300093020001900126020003300145020001900178035001200197040002300209041001300232050002300245082001000268100002900278240004000307245008600347260003500433300002500468500004100493505030500534520066000839650002301499650001701522650002001539650002401559650001801583650002001601700004101621104396BJBSDDR20250307105551.0ta890825s1995    nyu           000 0 eng    a   89039940   a0942299795 (acid-free paper)  a9780942299793   a0942299809 (acid-free paper)  a9780942299809   a3873335  aDLCcDLCdDLCbeng  aenghfre14aHM 291bD287s 199500a301.11 aDebord, Guy, d1931-199410aSociété du spectacle. lEnglish14aThe society of the spectacle /cGuy Debord ; translated by Donald Nicholson-Smith  aNew York :bZone Books,c1995.  a154 pages ; c23 cm.  aTranslated of: Societe du spectacle.0 aI. Separation perfected
II. The commodity as spectacle
III. Unity and division within appearances
IV. The proletariat as subject and representation
V. Time and history
VI. Spectacular time
VII. Environmental planning
VIII. Negation and consumption in the cultural sphere
IX. Ideology in material form  a"Few works of political and cultural theory have been as enduringly provocative as Guy Debord's The Society of the Spectacle. From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in the late twentieth century. Now finally available in a superb English translation approved by the author, Debord's text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image/information culture."--Jacket 0aSocial psychology. 0aProletariat. 0aSocial classes. 4aPsicología social 4aProletariado  4aClases sociales1 aNicholson-Smith, Donald etranslator