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  <titleInfo>
    <nonSort>The </nonSort>
    <title>society of the spectacle</title>
  </titleInfo>
  <titleInfo type="uniform">
    <title>Société du spectacle.  English</title>
  </titleInfo>
  <name type="personal">
    <namePart>Debord, Guy</namePart>
    <namePart type="date">1931-1994</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Nicholson-Smith, Donald</namePart>
    <role>
      <roleTerm type="text">translator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Zone Books</publisher>
    <dateIssued>1995</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <language objectPart="translation">
    <languageTerm authority="iso639-2b" type="code">fre</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>154 pages ;  23 cm.</extent>
  </physicalDescription>
  <abstract>"Few works of political and cultural theory have been as enduringly provocative as Guy Debord's The Society of the Spectacle. From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in the late twentieth century. Now finally available in a superb English translation approved by the author, Debord's text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image/information culture."--Jacket</abstract>
  <tableOfContents>I. Separation perfected
II. The commodity as spectacle
III. Unity and division within appearances
IV. The proletariat as subject and representation
V. Time and history
VI. Spectacular time
VII. Environmental planning
VIII. Negation and consumption in the cultural sphere
IX. Ideology in material form</tableOfContents>
  <note type="statement of responsibility">Guy Debord ; translated by Donald Nicholson-Smith</note>
  <note>Translated of: Societe du spectacle.</note>
  <subject authority="lcsh">
    <topic>Social psychology</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Proletariat</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Social classes</topic>
  </subject>
  <subject>
    <topic>Psicología social</topic>
  </subject>
  <subject>
    <topic>Proletariado</topic>
  </subject>
  <subject>
    <topic>Clases sociales</topic>
  </subject>
  <classification authority="lcc">HM 291 D287s 1995</classification>
  <classification authority="ddc">301.1</classification>
  <identifier type="isbn">0942299795 (acid-free paper)</identifier>
  <identifier type="isbn">9780942299793 </identifier>
  <identifier type="isbn">0942299809 (acid-free paper)</identifier>
  <identifier type="isbn">9780942299809 </identifier>
  <identifier type="lccn">89039940</identifier>
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    <recordCreationDate encoding="marc">890825</recordCreationDate>
    <recordChangeDate encoding="iso8601">20250307105551.0</recordChangeDate>
    <recordIdentifier source="BJBSDDR">104396</recordIdentifier>
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