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  <titleInfo>
    <nonSort>The </nonSort>
    <title>secret life of the American musical</title>
    <subTitle>how Broadway shows are built</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Viertel, Jack</namePart>
    <namePart type="termsOfAddress">(Theatrical producer)</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <dateIssued encoding="marc">2016</dateIssued>
    <edition>First edition.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xvii, 312 pages ; 24 cm</extent>
  </physicalDescription>
  <abstract>"Americans love musicals. Americans invented musicals. Americans perfected musicals. But what, exactly, is a musical? In [this book], Jack Viertel takes them apart, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next"--Dust jacket flap.</abstract>
  <tableOfContents>Overture -- Curtain up, light the lights : opening numbers -- The wizard and I : the "I want" song -- If I loved you : conditional love songs -- Put on your Sunday clothes : the noise -- Bushwhacking 1 : second couples -- Bushwhacking 2 : villains -- Bushwhacking 3 : the multiplot, and how it thickens -- Adelaide's lament : stars -- Tevye's dream : tent poles -- La vie bohâaeme : curtain: act 1 -- Intermission -- Clambake : curtain up: act 2 -- Suddenly Seymour : the candy dish -- All er nothin' : beginning to pack -- The small house of Joseph Smith, the American Moses : the main event -- I thought you did it for me, momma : the next-to-last-scene -- You can't stop the beat : the end -- Curtain call : how Woodie Guthrie -- of all people -- changed Broadway musicals forever -- Listening to Broadway.</tableOfContents>
  <note type="statement of responsibility">Jack Viertel.</note>
  <note>Includes index.</note>
  <subject>
    <geographicCode authority="marcgac">n-us---</geographicCode>
  </subject>
  <subject authority="lcsh">
    <topic>Musicals</topic>
    <geographic>United States</geographic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Musicals</topic>
    <geographic>United States</geographic>
    <topic>Analysis, appreciation</topic>
  </subject>
  <subject>
    <topic>Musicales</topic>
    <topic>Historia y crítica</topic>
    <geographic>Estados Unidos</geographic>
  </subject>
  <subject>
    <topic>Teatro estadounidense</topic>
    <topic>Historia y crítica</topic>
  </subject>
  <subject>
    <topic>Comedia musical</topic>
  </subject>
  <subject>
    <topic>Música estadounidense</topic>
  </subject>
  <classification authority="lcc">ML 1711 V665s 2016</classification>
  <classification authority="ddc">782.140973</classification>
  <identifier type="isbn">9780374256920</identifier>
  <identifier type="isbn">9780374711252</identifier>
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    <recordCreationDate encoding="marc">150612</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230410124110.0</recordChangeDate>
    <recordIdentifier>123151</recordIdentifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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