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  <titleInfo>
    <title>American music</title>
    <subTitle>a panorama</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Kingman, Daniel.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
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    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <place>
      <placeTerm type="text">London</placeTerm>
    </place>
    <publisher>Schirmer Books</publisher>
    <publisher>Prentice Hall International</publisher>
    <dateIssued>c1998</dateIssued>
    <dateIssued encoding="marc">1998</dateIssued>
    <edition>Concise ed.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xiv, 433 p. : ill. ; 26 cm.</extent>
  </physicalDescription>
  <tableOfContents>Part 1. Folk and ethnic musics. The Anglo-American tradition ; The African-American tradition ; The American Indian tradition ; The Latino tradition -- Part 2. Three prodigious offspring of the rural South. Country music ; Blues and soul: from country to city ; Rock and its progeny -- Part 3. Popular sacred music. From Psalm tune to rural revivalism ; Urban revivalism and gospel music -- Part 4. Popular secular music. Secular music in the cities from colonial times to the Jacksonian era ; Popular musical theatre from the Jacksonian era to the present ; Popular song, dance, and march music from the Jacksonian era tot eh advent of rock -- Part 5. Jazz and its forerunners. Ragtime and pre-jazz ; Jazz -- Part 6. Classical music. Laying the foundation: accomplishments from the Jacksonian era to World War I ; The evolving tradition, 1920-1970 ; Modernism I: new ways with old tools ; Modernism II: the impact of technology and new esthetic concepts ; Modernism transcended: autonomy, assimilation, and accessibility ; Opera old and new -- Part 7. Regionalism and diversity. Three regional samplings.</tableOfContents>
  <note type="statement of responsibility">Daniel Kingman.</note>
  <note>Includes bibliographical references and index.</note>
  <subject>
    <geographicCode authority="marcgac">n-us---</geographicCode>
  </subject>
  <subject authority="lcsh">
    <topic>Music</topic>
    <geographic>United States</geographic>
    <topic>History and criticism</topic>
  </subject>
  <subject>
    <topic>Música</topic>
    <geographic>Estados Unidos</geographic>
    <topic>Historia y crítica</topic>
  </subject>
  <subject>
    <topic>Primera Jornada de Catalogacion</topic>
  </subject>
  <classification authority="lcc">ML 200 K52a 1998</classification>
  <classification authority="ddc">780</classification>
  <identifier type="isbn">0028646142 (pbk. : alk. paper)</identifier>
  <identifier type="isbn">9780028646145 (pbk. : alk. paper)</identifier>
  <identifier type="lccn">97029048</identifier>
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    <recordCreationDate encoding="marc">970724</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230410124111.0</recordChangeDate>
    <recordIdentifier>83049</recordIdentifier>
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