02679nam a2200277 4500999001700000003000800017005001700025007000300042008004100045020001500086020001800101040001700119041000800136050002500144082001200169100002500181245007200206260005000278300002800328505154500356520030001901650003402201650003302235942001202268952012102280 c72409d72409BJBSDDR20230410124153.0ta060907s2000 nyu eng  a0312230133 a9780312230135 bspacBJBSDDR aeng14aP 302.7 bL131n 200000a401/.411 aLacey, Nick, d1961-10aNarrative and genre : bkey concepts in media studies /cNick Lacey aNew York : bSt. Martin's Press, c2000  aix, 268 pages ; c23 cm aIntroduction to Narrative Theory -- Once upon a time -- openings -- What is narrative? -- Todorov and narrative structure -- Propp's narrative functions -- Levi-Strauss and binary oppositions -- Barthes's narrative codes -- A History of Narrative -- The Epic of Gilgamesh -- Aristotle's theory of art -- The oral tradition -- Le Morte D'Arthur (The Death of Arthur) -- Shakespeare -- The novel -- Romanticism -- Modernism -- Postmodernism -- Theory of Narrative 2 -- More advanced narrative theory -- Narrative voice -- Ideological narrative analysis -- The Searchers -- Alternative narrative systems -- Alternative narrative and documentary -- Theory of Genre 1 -- Generic conventions -- The basic schema of genre -- Genre and society -- Film noir and 'hard-boiled' crime novels -- the repertoire of elements -- The TV cop genre: NYPD Blue -- oppositions in genre -- Science fiction -- repertoire of elements and history -- Melodrama -- a genre and a style -- Genre and format -- Theory of Genre 2 -- Genre -- the chicken or the egg? -- Twelve generic approaches to media texts -- Genre as Jungian myth -- Genre and gender -- soap opera -- Generic cycles -- Non-realistic genres -- horror -- Genre and semiotics -- Ideology and genre criticism -- Genres and scheduling -- Conclusion: narrative and genre -- Basic Instinct (Paul Verhoeven, 1992) -- Nora Prentiss (Vincent Sherman, 1947) -- Psycho (Alfred Hitchcock, 1960) -- The Searchers (John Ford, 1956) -- Strange Days (Kathryn Bigelow, 1995) -- The Usual Suspects (Bryan Singer, 1995). aIt then moves on to offer an extensive analysis of the basic schema and conventions of genre, drawing on the film noir, the TV cop genre and science fiction for examples, and showing how the repertoire of elements of each ranges across setting, character, narrative, iconography, style and stars 495531aAnálisis del discurso 4915486aGéneros literarios  2lcccBK 001040708HUaBJBbBJBcHUd2018-10-25l0oP 302.7 L131n 2000p00000000220r2018-10-25 00:00:00t1w2018-10-25yBK