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  <titleInfo>
    <nonSort>The </nonSort>
    <title>Cambridge companion to creative writing</title>
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  <titleInfo type="alternative">
    <title>Creative writing</title>
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  <name type="personal">
    <namePart>Morley, David</namePart>
    <namePart type="date">1964-</namePart>
  </name>
  <name type="personal">
    <namePart>Neilsen, Philip</namePart>
    <namePart type="date">1949-</namePart>
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    <place>
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    <publisher>Cambridge University Press</publisher>
    <dateIssued>2012</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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    <extent>222 p. : ill. ; 24 cm.</extent>
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  <abstract>"Creative writing has become a highly professionalised academic discipline, with popular courses and prestigious degree programmes worldwide. This book is a must for all students and teachers of creative writing, indeed for anyone who aspires to be a published writer. It engages with a complex art in an accessible manner, addressing concepts important to the rapidly growing field of creative writing, while maintaining a strong craft emphasis, analysing exemplary models of writing and providing related writing exercises. Written by professional writers and teachers of writing, the chapters deal with specific genres or forms - ranging from the novel to new media - or with significant topics that explore the cutting edge state of creative writing internationally (including creative writing and science, contemporary publishing and new workshop approaches)"--</abstract>
  <tableOfContents>Machine generated contents note: Foreword: on criticism and creativity Jonathan Bate; 1. Introduction David Morley and Philip Neilsen; Part I. Genres and Types: 2. A writing lesson: the Three Flat Tires and the outer story Ron Carlson; 3. In conversation: a new approach to teaching long fiction Maureen Freely; 4. Genre and speculative fiction Kim Wilkins; 5. Writing drama Michelene Wandor; 6. Poetics and poetry Bronwyn Lea; 7. Travel writing Kâari Gislason; 8. Creative writing and new media Hazel Smith; 9. Creative translation Fiona Sampson; 10. Life writing Philip Neilsen; Part II. Topics: 11. Serious play: creative writing and science David Morley; 12. Outside the academy Richard Beard; 13. Contemporary publishing Christopher Hamilton-Emery; 14. Imaginative crossings: transglobal and transcultural narratives Jewell Parker Rhodes; 15. Does that make sense? Approaches to the creative writing workshop A. L. Kennedy; Further reading; Index.</tableOfContents>
  <note type="statement of responsibility">edited by David Morley, Philip Neilsen.</note>
  <subject authority="lcsh">
    <topic>Creative writing</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Authorship</topic>
  </subject>
  <subject>
    <topic>Escritura creativa</topic>
  </subject>
  <classification authority="lcc">PN 189 C178 2012</classification>
  <classification authority="ddc">808/.02</classification>
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  <identifier type="isbn">9780521768498 (hdbk.)</identifier>
  <identifier type="isbn">9780521145367 (pbk.)</identifier>
  <identifier type="lccn">2011025694</identifier>
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