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  <titleInfo>
    <nonSort>The </nonSort>
    <title>future of television</title>
    <subTitle>your guide to creating TV in the new world</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Douglas, Pamela</namePart>
    <namePart type="date">1944-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">cau</placeTerm>
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    <place>
      <placeTerm type="text">Studio City, CA</placeTerm>
    </place>
    <publisher>Michael Wiese Productions</publisher>
    <dateIssued>[2015]</dateIssued>
    <dateIssued encoding="marc">2015</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>206 p. ; 23 cm</extent>
  </physicalDescription>
  <tableOfContents>Imagining the future --  What is television? --  You are here. How we got here --  Today's indie TV/Charles Slocum --  Net neutrality --  Conclusion: We are here --  The old world. How network shows work --  Trey Callaway --  Front doors to the networks --  Carole Kirschner --  Jennifer Grisanti --  Running your own show --  Back doors to the networks --  What can the networks do? --  Between worlds: cable TV. Basic cable channels --  FX --  AMC/Chalres Collier --  IFC/Dan Pasternack --  Niche cable --  Genre --  Premium cable --  Starz, Showtime and Cinemax --  HBO/Michael Lombardo --  The end of cable TV? --  The travelers --  The new world. Empires of the new world. Netflix/Ted Sarandos --  Hulu/Andy Forssell --  DirecTV/Chris Long. Yahoo --  Amazon --  Under sonstruction --  Big brand skyscrapers. Machinima/Aaron DeBevoise --  AwesomenessTV/Brian Robbins --  The boardwalk. Overview --  Web Fest/Michael Ajakwe --  Kickstarter/Matt King --  Enter the executive producers --  Producer Amy Berg --  Jane Espenson &amp; Bradley C. Bell --  The top tier --  The far frontier. Story worlding/Brian Seth Hurst --  T Bone's response --  Transmedia/Jay Bushman --  Interactive TV Sllisnce / Allison Dollar --  Mockey Mouse --  Conclusion.</tableOfContents>
  <note type="statement of responsibility">Pamela Douglas.</note>
  <subject authority="lcsh">
    <topic>Television</topic>
    <topic>Production and direction</topic>
    <topic>Handbooks, manuals, etc</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Television broadcasting</topic>
    <topic>Handbooks, manuals, etc</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Television series</topic>
    <topic>Authorship</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Television authorship</topic>
  </subject>
  <subject>
    <topic>Autoria en televisión</topic>
  </subject>
  <subject>
    <topic>Programas de televisión</topic>
    <topic>Autoria</topic>
  </subject>
  <subject>
    <topic>Escritura creativa</topic>
  </subject>
  <subject>
    <topic>Libretos para televisión</topic>
  </subject>
  <classification authority="lcc">PN 1992.5 D735f 2015</classification>
  <classification authority="ddc">791.4502</classification>
  <identifier type="isbn">9781615932146 (pbk)</identifier>
  <identifier type="isbn">1615932143 (pbk)</identifier>
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    <recordCreationDate encoding="marc">140807</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230410130545.0</recordChangeDate>
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