<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <title>Italian film</title>
  </titleInfo>
  <name type="personal">
    <namePart>Landy, Marcia</namePart>
    <namePart type="date">1931-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">enk</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Cambridge</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Cambridge University Press</publisher>
    <dateIssued>2000</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xxiii, 434 p. : ill. ; 24 cm.</extent>
  </physicalDescription>
  <abstract>"Italian Film examines the extraordinary cinematic tradition of Italy, from the silent era to the present. Analyzing film within the framework of Italy's historical, social, political, and cultural evolution during the twentieth century, Marcia Landy traces the construction of a coherent national cinema and its changes over time. Examining the cinematic uses of landscape, architecture, regional, rural, and metropolitan locales, and representations of social customs and rituals, Landy also discusses genres, stars, and narrative and anti-narrative forms. A comprehensive survey of this subject, Italian Film also offers fresh readings of key films from each period surveyed."--BOOK JACKET.</abstract>
  <tableOfContents>Early Italian cinema attractions --  National history as retrospective illusion --  Challenging the folklore of romance --  Comedy and the cinematic machine --  Landscape and neorealism, before and after --  Gramsci and Italian cinema --  History, genre, and the Italian Western --  La famiglia: the cinematic family and the nation --  Cinema of childhood --  Folklore of femininity and stardom --  Conversion, impersonation, and masculinity --  Cinema on cinema and on television.</tableOfContents>
  <note type="statement of responsibility">Marcia Landy.</note>
  <note>Incluye referencias bibliográficas (p. 399-408), filmografía (p. 409-416) e índice</note>
  <subject>
    <geographicCode authority="marcgac">e-it---</geographicCode>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>Italy</geographic>
    <topic>History</topic>
  </subject>
  <subject>
    <topic>Cine italiano</topic>
    <topic>Crítica e interpretación</topic>
    <temporal>1931-1943</temporal>
  </subject>
  <subject>
    <topic>Cine</topic>
    <topic>Crítica e interpretación</topic>
  </subject>
  <subject>
    <topic>Crítica de cine</topic>
    <topic>Colecciones de escritos</topic>
  </subject>
  <classification authority="lcc">PN 1993.5 L264i 2000</classification>
  <classification authority="ddc">791.4375</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>National film traditions</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">0521640091 (hardback)</identifier>
  <identifier type="isbn">0521649773 (paperback)</identifier>
  <identifier type="lccn">99035247</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg">DLC</recordContentSource>
    <recordCreationDate encoding="marc">990602</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230410130605.0</recordChangeDate>
    <recordIdentifier>105582</recordIdentifier>
  </recordInfo>
</mods>
