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  <titleInfo>
    <title>China on film</title>
    <subTitle>a century of exploration, confrontation, and controversy</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Pickowicz, Paul.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
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    <place>
      <placeTerm type="text">Lanham</placeTerm>
    </place>
    <publisher>Rowman &amp; Littlefield Publishers, Inc.</publisher>
    <dateIssued>2012</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>x, 365 p. : ill. ; 24 cm.</extent>
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  <abstract>Cs95E872D0{text-align:left;text-indent:0pt;margin:0pt 0pt 0pt 0pt}.cs5EFED22F{color:#000000;background-color:transparent;font-family:Times New Roman; font-size:12pt; font-weight:normal; font-style:normal; }Leading scholar Paul G. Pickowicz traces the dynamic history of Chinese filmmaking and its stunning development decade-by-decade since the 1920s. During the last one hundred years, China has been embroiled in a seemingly unending series of wars, revolutions, and jarring social transformations. Despite daunting censorship obstacles, Chinese filmmakers have found ingenious ways of taking poli.</abstract>
  <tableOfContents>Introduction: the sorrows and joys of Chinese filmmaking: political and personal contexts -- Shanghai twenties: early Chinese cinematic explorations of the modern marriage -- The theme of spiritual pollution in Chinese films of the 1930s -- Melodramatic representation and the "May fourth" tradition of Chinese filmmaking -- Never-ending controversies: the case of remorse in Shanghai and occupation-era  Chinese filmmaking -- Victory as defeat: postwar visualizations of China's war of resistance -- Acting like revolutionaries: Shi Hui, The Wenhua Studio, and private-sector filmmaking, 1949-1952 -- Zheng Junli, complicity, and the cultural history of socialist China, 1949-1976 -- The limits of thaw: Chinese cinema in the early 1960s -- Popular cinema and political thought in early Post-Mao China: reflections on official pronouncements, film, and the film audience -- On the eve of Tiananmen: Huang Jianxin and the notion of postsocialism -- Velvet prison and the political economy of Chinese filmmaking in the late 1980s and early 1990s -- Social and political dynamics of underground filmmaking in early twenty-first century China.</tableOfContents>
  <note type="statement of responsibility">Paul G. Pickowicz.</note>
  <note>Includes bibliographical references and index.</note>
  <subject>
    <geographicCode authority="marcgac">a-cc---</geographicCode>
  </subject>
  <subject authority="lcsh">
    <topic>Motion picture industry</topic>
    <geographic>China</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <topic>Political aspects</topic>
    <geographic>China</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <topic>Social aspects</topic>
    <geographic>China</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <geographic>China</geographic>
    <topic>In motion pictures</topic>
  </subject>
  <subject>
    <topic>20160300</topic>
  </subject>
  <subject>
    <topic>Cine chino</topic>
  </subject>
  <subject>
    <topic>Homicidio político</topic>
    <geographic>Shanghai (China)</geographic>
    <topic>Películas cinematográficas</topic>
  </subject>
  <subject>
    <topic>Oficiales de inteligencia</topic>
    <geographic>Shanghai (China)</geographic>
    <topic>Películas cinematográficas</topic>
  </subject>
  <subject>
    <topic>Guerra chino-japonesa, 1937-1945</topic>
    <topic>Películas cinematográficas</topic>
  </subject>
  <subject>
    <geographic>China</geographic>
    <topic>Peliculas cinematograficas</topic>
  </subject>
  <classification authority="lcc">PN 1993.5 P597c 2012</classification>
  <classification authority="ddc">791.43095109</classification>
  <identifier type="isbn">9781442211780 (cloth : alk. paper)</identifier>
  <identifier type="isbn">9781442211797 (pbk. : alk. paper)</identifier>
  <identifier type="isbn">9781442211803 (electronic)</identifier>
  <identifier type="lccn">2011041693</identifier>
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    <recordCreationDate encoding="marc">111024</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230410130606.0</recordChangeDate>
    <recordIdentifier>122231</recordIdentifier>
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