01741cam a2200277 i 4500001000700000003000800007005001700015007000300032008004100035020001500076040001300091041000800104050002600112082001100138100002600149245009200175260005300267300005500320500002000375504003000395505086800425650002901293650004501322650005701367650003901424127011BJBSDDR20231122155450.0ta790201s1979    msuaf    b    001 0 eng    a0826202772  cDLCbspa  aeng14aPN 1993.5bT439c 197900a791.431 aThiher, Allen,d1941-14aThe cinematic muse :bcritical studies in the history of French cinema /cAllen Thiher.  aColumbia :bUniversity of Missouri Press,c1979.  avi, 216 p., [8] leaves of plates :bill. ;c23 cm.  aIncludes index.  aBibliography: p. 207-214.  a[1.] The avant-garde: The impressionist avant-garde --  Surrealism's enduring bite: Un Chien andalou --  The surrealist film: Man Ray and the limits of metaphor --  Le Sang d'un Poéte: film as orphism --  [2.] In the wake of surrealism: From Entr'acte to a Nous la Liberté: René Clair and the order of farce --  Vigo's Zéro de conduite: surrealism and the myth of childhood --  [3.] Film and society: Jean Renoir and the mimesis of history --  Prévert and Carné's Le Jour se lève: proletarian tragedy --  [4.] Existentialist moment: Bresson's Un condamné à mort: the semiotics of grace --  The existential play in Truffaut's early films --  [5.] Postmodernism: L'Année dernière a Marienbad: the narration of narration --  Postmodern dilemmas: Godard's Alphaville and Deux ou trois choses que je sias d'elle --  Afterword: Is film a language? 0aMotion pictureszFrance. 4aPelículas cinematográficaszFrancia  0aMotion picture plays, FrenchxHistory and criticism. 4aObras cinematográficas xFrancia