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  <titleInfo>
    <title>Film theory</title>
    <subTitle>creating a cinematic grammar</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Colman, Felicity</namePart>
    <namePart type="date">1967-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">enk</placeTerm>
    </place>
    <dateIssued encoding="marc">2014</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>136 p. ; 21 cm.</extent>
  </physicalDescription>
  <abstract>"This book addresses the core concepts and arguments created or used by leading academics, critical film theorists, and prominent filmmakers. It takes the position that film theory is a form of writing that produces a unique cinematic grammar; and like all grammars, it forms part of the system of rules that govern a language, and is thus applicable to wider range of media forms. In their creation of authorial trends, identification of the technology of cinema as a creative force, and production of films as aesthetic markers, film theories contribute an epistemological resource that connects the technologies of filmmaking and film composition. This book explores these connections through film theorisations of processes of the diagrammatisation (the systems, methodologies, concepts, histories) of cinematic matters of the filmic world."--Page 4 of cover.</abstract>
  <tableOfContents>Introduction : the written matter of a cinematic grammar -- Models -- Technology -- Spectators -- Conclusion : film theory as practice.</tableOfContents>
  <note type="statement of responsibility">Felicity Colman.</note>
  <note>"A Wallflower Press book"--Title page verso.</note>
  <note>Includes bibliographical references (pages 103-127) and index.</note>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Film criticism</topic>
  </subject>
  <subject authority="fast">
    <topic>Film criticism</topic>
  </subject>
  <subject authority="fast">
    <topic>Motion pictures</topic>
  </subject>
  <subject authority="gnd">
    <topic>Filmtheorie</topic>
  </subject>
  <subject authority="ram">
    <topic>Cinâema</topic>
    <topic>Thâeorie</topic>
  </subject>
  <classification authority="lcc">PN 1994 C716f 2014</classification>
  <classification authority="ddc">791</classification>
  <classification authority="">778</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Short cuts (London, England) ; 56</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9780231169738 (pbk. : alk. paper)</identifier>
  <identifier type="isbn">0231169736 (pbk. : alk. paper)</identifier>
  <identifier type="isbn" invalid="yes"/>
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    <recordCreationDate encoding="marc">150602</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230410130613.0</recordChangeDate>
    <recordIdentifier>123944</recordIdentifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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