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    <subfield code="a">(OCoLC)166359971</subfield>
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  <datafield tag="245" ind1="0" ind2="0">
    <subfield code="a">American movie critics :</subfield>
    <subfield code="b">an anthology from the silents until now /</subfield>
    <subfield code="c">edited by Phillip Lopate.</subfield>
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    <subfield code="a">Expanded ed., 1st pbk. ed.</subfield>
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    <subfield code="a">New York :</subfield>
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    <subfield code="c">c2008.</subfield>
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    <subfield code="a">xxix, 760 p. ;</subfield>
    <subfield code="c">24 cm.</subfield>
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  <datafield tag="500" ind1=" " ind2=" ">
    <subfield code="a">Includes index.</subfield>
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  <datafield tag="504" ind1=" " ind2=" ">
    <subfield code="a">Includes bibliographical references and index.</subfield>
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  <datafield tag="505" ind1="0" ind2="0">
    <subfield code="t">The photoplay of action ;</subfield>
    <subfield code="t">The artistic position of Douglas Fairbanks and The thief of Bagdad production /</subfield>
    <subfield code="r">Vachel Lindsay --</subfield>
    <subfield code="t">The function of the photoplay /</subfield>
    <subfield code="r">Hugo M&#xE8;unsterberg --</subfield>
    <subfield code="t">The cabinet of Dr. Caligari ;</subfield>
    <subfield code="t">Nanook of the north ;</subfield>
    <subfield code="t">A woman of Paris ;</subfield>
    <subfield code="t">Manhandled ;</subfield>
    <subfield code="t">The temptress ;</subfield>
    <subfield code="t">What price glory? /</subfield>
    <subfield code="r">Carl Sandburg --</subfield>
    <subfield code="t">The ten commandments ;</subfield>
    <subfield code="t">Greed /</subfield>
    <subfield code="r">Robert E. Sherwood --</subfield>
    <subfield code="t">The new Chaplin comedy (The gold rush) /</subfield>
    <subfield code="r">Edmund Wilson --</subfield>
    <subfield code="t">from Appendix from Moronia : note on technic /</subfield>
    <subfield code="r">H.L. Mencken --</subfield>
    <subfield code="t">The passion of Joan of Arc /</subfield>
    <subfield code="r">H.D. --</subfield>
    <subfield code="t">The "talkies" /</subfield>
    <subfield code="r">Alexander Bakshy --</subfield>
    <subfield code="t">"A" in the art of the movie and kino ;</subfield>
    <subfield code="t">Remarks of D.W. Griffith /</subfield>
    <subfield code="r">Harry Alan Potamkin --</subfield>
    <subfield code="t">from An hour with the movies and the talkies /</subfield>
    <subfield code="r">Gilbert Seldes --</subfield>
    <subfield code="t">Anna Christie ;</subfield>
    <subfield code="t">Good art, good propaganda /</subfield>
    <subfield code="r">Pare Lorentz --</subfield>
    <subfield code="t">King Kong ;</subfield>
    <subfield code="t">The invisible man /</subfield>
    <subfield code="r">William Troy --</subfield>
    <subfield code="t">Parachute jumper ;</subfield>
    <subfield code="t">Hallelujah I'm a bum ;</subfield>
    <subfield code="t">Ladies they talk about ;</subfield>
    <subfield code="t">Our betters ;</subfield>
    <subfield code="t">King Kong ;</subfield>
    <subfield code="t">Night flight ;</subfield>
    <subfield code="t">Camille ;</subfield>
    <subfield code="t">The last of Mrs. Cheyney ;</subfield>
    <subfield code="t">Personal property ;</subfield>
    <subfield code="t">Another dawn ;</subfield>
    <subfield code="t">A day at the races /</subfield>
    <subfield code="r">Cecilia Ager --</subfield>
    <subfield code="t">The devil is a woman ;</subfield>
    <subfield code="t">The future of color /</subfield>
    <subfield code="r">Andr&#xE2;e Sennwald --</subfield>
    <subfield code="t">The film critic of tomorrow /</subfield>
    <subfield code="r">Rudolf Arnheim --</subfield>
    <subfield code="t">Dancing in films /</subfield>
    <subfield code="r">Lincoln Kierstein --</subfield>
    <subfield code="t">The charge of the light brigade /</subfield>
    <subfield code="r">Meyer Levin-- It's up to the kiddies (Stand up and cheer) ;</subfield>
    <subfield code="t">Stars and garters (Belle of the nineties) ;</subfield>
    <subfield code="t">Artist among the flickers (Three songs about Lenin) ;</subfield>
    <subfield code="t">Arms and men (Lives of a Bengal lancer) ;</subfield>
    <subfield code="t">Words and music (Broadway melody of 1936) ;</subfield>
    <subfield code="t">In a dry month (Hands across the table) ;</subfield>
    <subfield code="t">Cagney : great guy ;</subfield>
    <subfield code="t">Through the looking glass (Stage door) ;</subfield>
    <subfield code="t">Walt Disney's Grimm reality (Snow White and the seven dwarfs) ;</subfield>
    <subfield code="t">Hitchcock in Hollywood (Foreign correspondent) ;</subfield>
    <subfield code="t">For better, for worse (Time in the sun) ;</subfield>
    <subfield code="t">Handsome is (High Sierra) ;</subfield>
    <subfield code="t">Citizen Welles ;</subfield>
    <subfield code="t">Welles and his wonders II /</subfield>
    <subfield code="r">Otis Ferguson --</subfield>
    <subfield code="t">Gone with the wind is more dangerous than Birth of a nation /</subfield>
    <subfield code="r">Melvin B. Tolson --</subfield>
    <subfield code="t">Griffith and the technical innovations /</subfield>
    <subfield code="r">Paul Goodman --</subfield>
    <subfield code="t">The song of Bernadette ;</subfield>
    <subfield code="t">Annual wrap-up of 1944 ;</subfield>
    <subfield code="t">A great film (The story of G.I. Joe) ;</subfield>
    <subfield code="t">The lost weekend ;</subfield>
    <subfield code="t">Shoeshine ;</subfield>
    <subfield code="t">Day of wrath /</subfield>
    <subfield code="r">James Agee --</subfield>
    <subfield code="t">Introduction to From Caligari to Hitler /</subfield>
    <subfield code="r">Siegfried Kracauer --</subfield>
    <subfield code="t">The gangster as tragic hero ;</subfield>
    <subfield code="t">A feeling of sad dignity (Limelight) /</subfield>
    <subfield code="r">Robert Warshow --</subfield>
    <subfield code="t">The shadow and the act /</subfield>
    <subfield code="r">Ralph Ellison --</subfield>
    <subfield code="t">Got a match? /</subfield>
    <subfield code="r">Martha Wolfenstein and Nathan Leites --</subfield>
    <subfield code="t">The reluctant war hero (Casablanca) /</subfield>
    <subfield code="r">Barbara Deming --</subfield>
    <subfield code="t">Underground films ;</subfield>
    <subfield code="t">White elephant art vs. termite art ;</subfield>
    <subfield code="t">Kitchen without kitsch (with Patricia Patterson) /</subfield>
    <subfield code="r">Manny Farber --</subfield>
    <subfield code="t">Double into quadruple indemnity ;</subfield>
    <subfield code="t">Warhol's new sex film (Blue movie) /</subfield>
    <subfield code="r">Parker Tyler --</subfield>
    <subfield code="t">A king in New York /</subfield>
    <subfield code="r">Eugene Archer --</subfield>
    <subfield code="t">Panther Panchali and Aparajito ;</subfield>
    <subfield code="t">A note on la belle, la perfectly swell, romance /</subfield>
    <subfield code="r">Arlene Croce --</subfield>
    <subfield code="t">The creative joy of the independent film-maker ;</subfield>
    <subfield code="t">Renoir and plotless cinema ;</subfield>
    <subfield code="t">Marilyn Monroe and the loveless world (The misfits) ;</subfield>
    <subfield code="t">On Andy Warhol's Sleep ;</subfield>
    <subfield code="t">Not everything that is fun is cinema (A hard day's night) ;</subfield>
    <subfield code="t">On Bresson and Une femme douce /</subfield>
    <subfield code="r">Jonas Mekas --</subfield>
    <subfield code="t">The misfits ;</subfield>
    <subfield code="t">L'avventura ;</subfield>
    <subfield code="t">Lola Montes /</subfield>
    <subfield code="r">Stanley Kauffmann --</subfield>
    <subfield code="t">The birds ;</subfield>
    <subfield code="t">La guerre est finie ;</subfield>
    <subfield code="t">Falstaff and A countess from Hong Kong ;</subfield>
    <subfield code="t">Science fiction : The Forbin project ;</subfield>
    <subfield code="t">Billy Wilder ;</subfield>
    <subfield code="t">Billy Wilder reconsidered ;</subfield>
    <subfield code="t">John Wayne's strange legacy /</subfield>
    <subfield code="r">Andrew Sarris --</subfield>
    <subfield code="t">The imagination of disaster /</subfield>
    <subfield code="r">Susan Sontag --</subfield>
    <subfield code="t">Band of outsiders ;</subfield>
    <subfield code="t">Funny girl ;</subfield>
    <subfield code="t">Trash, art, and the movies ;</subfield>
    <subfield code="t">McCabe &amp; Mrs. Miller /</subfield>
    <subfield code="r">Pauline Kael --</subfield>
    <subfield code="t">8 1/2 /</subfield>
    <subfield code="r">Dwight Macdonald --</subfield>
    <subfield code="t">Cold blood : cheap fiction /</subfield>
    <subfield code="r">Renata Adler --</subfield>
    <subfield code="t">The runners /</subfield>
    <subfield code="r">Donald Phelps --</subfield>
    <subfield code="t">Midnight cowboy ;</subfield>
    <subfield code="t">The wild bunch ;</subfield>
    <subfield code="t">Easy rider ;</subfield>
    <subfield code="t">Z ;</subfield>
    <subfield code="t">They shoot horses, don't they? ;</subfield>
    <subfield code="t">Patton ;</subfield>
    <subfield code="t">Zabriskie Point ;</subfield>
    <subfield code="t">Is Fiddler more De Mille than Sholem Aleichem? /</subfield>
    <subfield code="r">Vincent Canby --</subfield>
    <subfield code="t">These are a few of my favorite things ;</subfield>
    <subfield code="t">Bu&#xE4;nuel /</subfield>
    <subfield code="r">William S. Pechter --</subfield>
    <subfield code="t">The woman's film ;</subfield>
    <subfield code="t">Sophisticated interiors ;</subfield>
    <subfield code="t">Melancholy males or movies about men turning 50 /</subfield>
    <subfield code="r">Molly Haskell --</subfield>
    <subfield code="t">Notes on film noir /</subfield>
    <subfield code="r">Paul Schrader --</subfield>
    <subfield code="t">The last picture show ;</subfield>
    <subfield code="t">Jaundice of the soul (Chinatown) /</subfield>
    <subfield code="r">John Simon --</subfield>
    <subfield code="t">Blue notes /</subfield>
    <subfield code="r">Brendan Gill --</subfield>
    <subfield code="t">M*A*S*H /</subfield>
    <subfield code="r">Richard Corliss --</subfield>
    <subfield code="t">from The devil finds work (Lady sings the blues) /</subfield>
    <subfield code="r">James Baldwin --</subfield>
    <subfield code="t">The bitter tears of Petra von Kant /</subfield>
    <subfield code="r">Penelope Gilliatt --</subfield>
    <subfield code="t">The Keaton quiet /</subfield>
    <subfield code="r">Walter Kerr --</subfield>
    <subfield code="t">Bad movies ;</subfield>
    <subfield code="t">The film critic of tomorrow, today /</subfield>
    <subfield code="r">J. Hoberman --</subfield>
    <subfield code="t">Cons and pros (The lady Eve) /</subfield>
    <subfield code="r">Stanley Cavell --</subfield>
    <subfield code="t">Blue velvet ;</subfield>
    <subfield code="t">Sam Fuller : movie bozo /</subfield>
    <subfield code="r">Richard Schickel --</subfield>
    <subfield code="t">Rebirth of a nation (Do the right thing) ;</subfield>
    <subfield code="t">Malcolm X'd again (Malcolm X) /</subfield>
    <subfield code="r">Armond White --</subfield>
    <subfield code="t">The real thing /</subfield>
    <subfield code="r">David Denby --</subfield>
    <subfield code="t">The Italian system /</subfield>
    <subfield code="r">Geoffrey O'Brien --</subfield>
    <subfield code="t">A boy named Sioux (Dances with wolves) /</subfield>
    <subfield code="r">Paul Rudnick (aka Libby Gelman-Waxner) --</subfield>
    <subfield code="t">Cary Grant ;</subfield>
    <subfield code="t">Howard Hawks /</subfield>
    <subfield code="r">David Thomson --</subfield>
    <subfield code="t">Cool cynicism : Pulp fiction /</subfield>
    <subfield code="r">Bell Hooks --</subfield>
    <subfield code="t">Titanic sinks again (spectacularly) /</subfield>
    <subfield code="r">Kenneth Turan --</subfield>
    <subfield code="t">In dreams begin responsibilities (Eyes wide shut) /</subfield>
    <subfield code="r">Jonathan Rosenbaum --</subfield>
    <subfield code="t">Trouble in paradise /</subfield>
    <subfield code="r">Roger Ebert --</subfield>
    <subfield code="t">Gladiator /</subfield>
    <subfield code="r">Stuart Klawans --</subfield>
    <subfield code="t">Imitation of life /</subfield>
    <subfield code="r">James Harvey --</subfield>
    <subfield code="t">Of love and the city (In the mood for love) /</subfield>
    <subfield code="r">Kent Jones --</subfield>
    <subfield code="t">On Val Lewton's The seventh victim /</subfield>
    <subfield code="r">John Ashbery --</subfield>
    <subfield code="t">Ratpacks and pack males /</subfield>
    <subfield code="r">Carrie Rickey --</subfield>
    <subfield code="t">Saying "ain't" and playing "Dixie" : rhetoric and comedy in Judge Priest /</subfield>
    <subfield code="r">Gilberto Perez --</subfield>
    <subfield code="t">Good and evil locked in violent showdown (The passion of the Christ) ;</subfield>
    <subfield code="t">The most overrated film of the year (Sideways) /</subfield>
    <subfield code="r">A.O. Scott --</subfield>
    <subfield code="t">High hopes (The royal Tenenbaums) ;</subfield>
    <subfield code="t">Not-so-nice kitty (The cat in the hat) ;</subfield>
    <subfield code="t">Once disaster hits, it seems never to end (A history of violence) /</subfield>
    <subfield code="r">Manohla Dargis --</subfield>
    <subfield code="t">United 93 /</subfield>
    <subfield code="r">Stephanie Zacharek --</subfield>
    <subfield code="t">To catch a predator (Zodiac) /</subfield>
    <subfield code="r">Nathan Lee --</subfield>
    <subfield code="t">New media and old storytelling /</subfield>
    <subfield code="r">David Bordwell.</subfield>
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