01342cam a2200301 a 4500001000700000003000800007005001700015007000300032008004100035020002200076020002500098020002200123020002500145040001300170041000800183050002400191082001100215100003500226245004600261260005800307300003000365500002000395504003000415505040100445520013500846650003300981650002601014127972BJBSDDR20240207132655.0ta830811s1984    enk      b    001 0 eng    a0195033949 (hbk.)  a9780195033946 (hbk.)  a0195034287 (pbk.)  a9780195034288 (pbk.)  aengcDLC  aeng14aPN 1995bA562c 198400a791.431 aAndrew, James Dudley, d1945- 10aConcepts in film theory /cDudley Andrew.  aOxford ;aNew York :bOxford University Press,c1984.  axiv, 239 pages ; c22 cm.  aIncludes index.  aBibliography: p. 212-229.0 aList of Illustrations List of Tables Acknowledgments Defining Reagan-Era Hollywood The Reagan Era and Hollywood's Political Economic Structure Reagan-Era Hollywood and the Recuperation of the Success Ethic Race and the Biracial Buddy Movie Gender and the MTV Music-Video Movie Class and the Yuppie Movie The Legacy of the Reagan Era Appendix: Top 10 Movies of 1970-2001 (in millions) Bibliography  aJordan provides a complete overview of both the influence of Reagan's presidency on the film industry and on the films themselves. 0aMotion picturesxPhilosophy. 4aFilosofía del cine